Meet Penny Dickerson

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Contact: pennydickersonwrites@gmail.com

Penny Dickerson is an artist whose primary form of expression is writing.. She earned a B.A. degree in Journalism from Temple University (Philadelphia, PA) and an M.F.A. in Creative Writing from Lesley University (Cambridge, MA).  She will transition as an English & Creative Writing Instructor at Douglas Anderson School of the Arts and join her alma mater, Florida State College Jacksonville, as a Liberal Arts Professor in 2012 teaching courses in English composition I & II and Film.

Penny is additionally an Independent Journalist contributing to the Florida Times-Union, Florida Courier, and regional/national publications.  Prior employment includes English professorships at Virginia College, Adjunct/High School collaborative positions with Sussex County Community College and Hopatcong High School (New Jersey) and teaching posts for Duval County Public Schools. As a fundraiser, Penny served as Assistant Area Director of Development for the United Negro College Fund’s $1 million Orlando team, and is  former Marketing Director for Gateway Towne Center.

Born Merdis Lavonda Robinson in El Paso, Texas, she was given the nickname Penny by her mother, but friends close to the helm refer to her simply as “P.”  Raised a “military brat,” Penny traveled extensively and attended various primary/middle schools, but ultimately graduated from Nathan Bedford Forrest High school in Jacksonville, Florida. Pageantry afforded her the opportunity to pursue higher education, as she won several teen pageants and was further crowned the first black Miss Florida Junior College (Miss America Preliminary) and held the title Miss Black Florida.

Prior to winning the National Shrine Pageant, she  traveled the Caribbean with the 1st Miss Florida USO Troupe and has experienced all points of the world as a former TWA Flight Attendant. Penny is listed as an Outstanding Woman in American, Who’s Who In American Junior Colleges, a member of Alpha Kappa Alpha Sorority, Inc. and is a Leadership Jacksonville Alumni. She is an American Symphony Orchestra League Management Fellowship finalist, Creative Capital Professional  Development  Workshop participant, and recently participated in the  2011 Minority Writer’s Seminar sponsored by the National Board of Editorial Writers.

Penny specializes in human interest stories and interviews. Some high profile subjects include Nikki Giovanni, Ntozaki Shange, Congresswoman Corrine Brown and more.  She is a cancer survivor currently penning a non-fiction work titled, “Malignant Wind,” which she hopes to release in 2012. Penny beholds an abiding love for God and is the divorced, single parent to Kelsey Nicole Dickerson (22) who gave birth to “Journey Nicole” on February 18, 2012. Like a champion, Kelsey earned her B.F.A. degree in Dance from Jacksonville University four months later (May 2012). She is a performing company member with Paradigm Flux and Full-time Studio Manager for “Dansations.”Kelsey and Journey

Penny is a proud, proud, proud

“Nana P.”   

Part VI – “The Life & Death of Jimmie Jackson.”

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Was the decision to go ‘gunless’ in the ‘Gunshine State’ fatal?

March 28, 2013 Filed under METRO

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Editor’s Note: This is the sixth in a series of stories framing the life of James Roland Jackson, III, known as “Jimmy” to his family.

BY PENNY DICKERSON
SPECIAL TO THE FLORIDA COURIER

As reported in this series, 26-year-old Jimmy Jackson was shot on June 2, 2012, at the Silver Fox nightclub while working part time as road manager for rap artist Young Cash, a protégé of popular Florida-based rapper Flo Rida.

The former Florida A&M University business student died 10 days later at Shands Hospital, leaving his supportive family shocked and grieving. His five-year-old daughter Denia no longer has a daddy to tuck her in at night. He won’t cheer at her college graduation, or walk her down the aisle on her wedding day.

Four bullets
Jacksonville Detective Bobbie Bowers, the lead homicide investigator, is calling Jackson’s tragic shooting a random robbery.

Two Black males wearing dark clothing approached Jackson in a pitch-dark parking lot at close to 4 a.m.

He complied with their request for money, but assailants still pumped four bullets into his 6’1” athletic frame as he walked away.

Older brother Anthony Rozier said that Jackson refused to carry a concealed weapon, as is possible under Florida’s liberal ‘concealed carry’ law.

“I don’t need a gun, cause I ain’t gon’ shoot nobody,” Jackson told Rozier.

Win an AR-15

William “Bill” Burns holds a monthly raffle to win an AR-15 rifle. Proceeds benefit his nonprofit organization “Dream Hunts For Heroes.”
(PHOTOS COURTESY OF PENNY DICKERSON/FLORIDA COURIER)

Millions with guns
There’s no proof that Jackson would still be alive if he had been carrying a gun. But a record number of citizens do plan to shoot whenever necessary. One of every 17 Floridians – more than a million people just in Florida alone – has a license to carry a concealed firearm.

While homicide rates are down, Florida is home to the largest number of gun-carrying permits in the country, giving the peninsula an unsavory moniker: “the Gunshine State.”

Jacksonville has its own Gun Crime Unit, and for good reason. As reported by the United States Department of Justice based on 2011 statistics, the Middle District of Florida, the federal court district were Jacksonville is located, ranks third in the nation for the number of federal prosecutions of firearms-related cases.

In conjunction with Project Safe Neighborhood, a community-based initiative, the Gun Crime Unit meets once a week to discuss the prosecution of gun crimes and includes detectives with the Jacksonville Sheriff’s Office, special agents from the Florida Department of Law Enforcement, Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF), as well as prosecutors from the State Attorney’s Office.

Easy to get
Many Floridians evidently believe peril is imminent, and they are buying guns. And all you need is money to buy a gun in Florida.

According to a Feb. 27 cover story in Folio Weekly, “No permits, license or identification card is required to buy or possess firearms and ammunition here, unlike in some other states.”  (You do need a license to conceal a gun and carry it.)

Ammunition can be purchased for cash at local gun shows. Firearm responsibility requires a permit application.

Fierce debate
The availability of guns is America’s most contentious new debate. From seasoned politicians to neighborhood barbershops hosting Saturday morning court, everyone is weighing in on access to firearms, who has a right to own, and the rampant gun violence sweeping the nation.

A movie theater massacre and last year’s Sandy Hook elementary killing spree has created a nation in fear and rendered public places unsafe.

First gun at 15
Gun shows are held almost every weekend in a Florida city and a large populous of enthusiasts support the culture.  Luke Wyatt purchased close to $280 worth of ammunition at a recent Jacksonville gun show.

“I come here to buy ammo because I can’t get it from the store,” said Wyatt. “ The government is making it even harder.”Luke Wyat with Ammo #2

The Florida State Community College student works part time at Longhorn Steakhouse and uses his earnings to support his hobby.

“I own three guns, a 30.06 long-range rifle, a tactical AR-22, and have access to my parents’ 9mm pistol,” Wyatt boasted.

A revolver like these on sale at a Jacksonville gun show could be similar to the firearm Jimmy’s shooter used.

A revolver like these on sale at a Jacksonville gun show could be similar to the firearm Jimmy’s shooter used.

Guns and target shooting has always been a part of Wyatt’s family life.  He was given his first gun at age 15 and is an avid hunter of game.

Racial disparity
The use of guns is racially disparate. According to a March 22 feature in the Washington Post, “Gun deaths are shaped by race in America. Whites are far more likely to shoot themselves, and African-Americans are far more likely to be shot by someone else.”

What’s consistent is that thousands of people are killed – or are killing themselves – with guns.

The Florida-based Trayvon Martin case has intensified the racial debate. Martin was shot and killed last February in Sanford by George Zimmerman, an off-duty neighborhood watchman. The shooter alleged Martin’s behavior was suspicious – he was walking slowly in the rain and wearing a hoodie.SAMSUNG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The equally tragic killing of Jordan Davis followed the Martin killing. The 14-year-old was shot to death while sitting in a Dodge Durango with friends at a Gate gas station in Jacksonville.Jordan on Jet

Michael David Dunn, a White male, pulled up next to the teens and asked them to turn their loud music down. Following a verbal dispute, Dunn claimed he saw a shotgun in their car and sprayed seven shots into the parked SUV. Davis died on the scene; police reported the teens had no gun.

These murders have sparked a national outcry against gun violence; race is a subtext because White men killed both Martin and Dunn.

Jimmy Jackson’s death was different. The shooters were Black. As mass shootings prompt vigils and flags flown at half-mast, mainstream media attention to  “Black-on-Black” crime is practically nonexistent.

‘Not a race problem’
David Frum, contributing editor at Newsweek offered the following in a CNN report titled, “U.S. gun problem is not a race problem.’’

“The typical murder has one victim, not many. The typical murder is committed with a handgun, not a rifle. And in the typical murder, both the perpetrator and the victim are young black men. Blacks are six times as likely as Whites to be the victim of a homicide. Blacks are seven times as likely to commit a homicide.”

‘In the wrong hands’
NAACPIsaiah Rumlin, president of the Jacksonville NAACP branch, says his organization is very concerned about gun violence.

“It’s a socioeconomic issue that affects our city, state, and nation,” said Rumlin. “We have got to produce better-educated people, produce more jobs, and develop better programs for repeat offenders who are released and return to our communities.”

He additionally calls on parents to do a better job and take responsibility for their children’s actions before tragedy strikes.

“Too many guns are in the wrong hands,” declared Rumlin.

The Rev. R.L. Gundy, pastor of Mt. Sinai Missionary Baptist Church in Jacksonville, also weighed in on the subject. He is the state president of the Southern Christian Leadership conference.SCLC

Gundy stated that with “a present mean legislative body and more than 225 federally licensed gun dealers in a state, it creates an environment where people become predators on each other – both Black and White.’’

The community activist doesn’t offer it as an excuse but insists that the current gun culture has been created by society and cites the previous methodology of President Bill Clinton’s as a positive example.

The Clinton administration tracked every gun used in a crime and, statistically, as it was then, Florida tops the list.

“When all of your Black fathers are in jail and there are no jobs, the problem transcends mere socioeconomic and it’s deeper than parents serving as a solution,” Gundy added. “The highest population of Blacks in Florida is in Duval County and 72 percent of all babies born in a Black family are without a father. It becomes a mental health and psychological (issue) too.”

Crimes and justice
A public service announcement uses six quick words to spell out the consequences of committing a gun crime: “Use a gun and you’re done.” Pull a gun –10 years in prison. Fire a gun – 20 years. Shoot someone – 25 years to life in prison.

That’s the penalty facing the individual(s) responsible for Jackson’s murder.

The Kinsey Collection: African American Family Debuts Cultural Exhibit at Walt Disney World

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A Whole New World: The Kinsey Collection

An art and history loving African American Family debuts their coveted  collection at Walt Disney World

By Penny Dickerson

A Whole New World: The Kinsey Collection

“The Walls” from the Kinsey Collection

If the art of sharing were worth its weight  in gold, the amassed cultural treasures of Bernard and Shirley Kinsey  would easily personify Ft. Knox. The philanthropist couple have gathered 400 ‘authentic and rare art, artifacts, books, documents and manuscripts that tell  the often untold story of African American achievement and contributions.’ The  culminating result is an impressive touring exhibit spanning more than 400 years  of history aptly titled, “The  Kinsey Collection: Shared Treasures of Bernard and Shirley Kinsey.”

More than 3 million people in seven U.S. cities including the Smithsonian  Institute in Washington, D.C. have been exposed and culturally enriched. And  now, a global audience can experience ‘the intersect of art and history’ at Walt  Disney World in Orlando, Florida.

Earlier this month, The Kinsey Collection opened to the public at the  American Heritage Gallery of the American Adventure Pavilion at EPCOT Center  where it will remain until 2016.  The private unveiling took place during  the 6th Annual Disney Dreamers  Academy weekend hosted by Steve Harvey with Essence magazine. The competitive program selects 100 students from across the  country to indulge in four days of mentoring workshops facilitated by  celebrities like gospel sensation Yolanda Adams, American Idol runner-up  Kimberley Locke, Actor Doc Shaw from Tyler Perry’s “House of Payne,” CNN  education contributor Dr. Steve Perry, and more.

Bernard Kinsey─patriarch of the namesake collection─also honored the 2013 cohort with a  historical lecture, “The Myth of Absence” which aligns with the Kinsey’s  ultimate goal: education.Bernard Kinsey Lectures on African American History from The Kinsey Collection

A Disney partnership effectively broadens the collection’s outreach, but a  unique agreement with the Florida Department of Education  fills a void  Kinsey believes is omitted by most African American textbooks. The Kinsey’s  self-published coffee-table book bears the collection’s title and has been  approved to teach K-12 history in Florida schools.

The publication works in concert with the collection as a visual and  kinesthetic educational component. Readers embark upon a 198 page, picturesque  journey in print that begins in 1632 and travels to the present. The art of  Stephen Duncanson and Romare Bearden are complemented by 17th century  documents from historical abolitionist Frederick Douglass and Dr. Martin Luther  King. Jr., whose legacy encouraged everyone to ignite a dream.

“This exhibit presents truth, but is not an exercise in  victimhood,” said Bernard Kinsey to a captive room at EPCOT World  Showplace. “We have the courage to uplift and do justice to an integral part of  American history that dispels the myth that our history is absent from the  whole.”

The Kinsey Collection

The Kinsey Collection Opening at Disney World

Cross-referencing visual slides from the collection, Kinsey’s unwavering  passion for history reverberated as he described the 1832 slavery ‘Bill of Sale’ that inspired the collection. From his confident podium stance to his  matter-of-fact wisdom, he remained candid about everything from the 1619  Mayflower arrival to Buffalo Soldier pride.  Images of black bodies lined  like sardines beneath a slave ship’s belly were displayed along with the dismay  of Dr. Selma Burke’s original mold being used to create Teddy Roosevelt’s  likeness on the American dime. The African American sculptor was never given  credit. Throughout, Kinsey remained unapologetic in his posture that the African  American presence in history is not one of invisibility.

Among the engaged dreamers was 15-year-old Dwight James of Jacksonville,  Florida who expressed genuine excitement: “I loved when he said Christopher  Columbus didn’t discover America. The Indians found America. America has been  re-owned,” said James, who dreams of becoming a writer.

Sharing his sentiments was spoken word artist Husain Abd’Allah from Jamaica,  NY. The ninth grade homeschooler is a Schomburg Junior Scholar in African  American studies who was intrigued by the gallery, “It was such a wonderful  exhibit,” he said. “We got to see how it all came together. They had a lantern  where you just turn the handle and it starts giving you an overview of the  gallery.”

Most impressive for Abd’Allah was Mrs. Fisher’s Cookbook, the first  known cookbook by a Black person. Husein, like many in attandance, had never  heard this information prior to The Kinsey Collection.

It was Carmen Smith, Vice President of Creative Development  of Walt Disney Imageering whose unwavering vision lead to the Kinsey-Disney  partnership. She learned about the Collection from Bob Billingslea, former Vice  President of Corporate Urban Affairs and Minority Outreach, and eagerly  presented the idea to theme park executives. “We saw this as a unique  opportunity,” she said. “More than 20 Disney executives were taken to Los  Angeles, California to view the entire collection. It was simply magical! There  were no hesitations to bring it to the American Gallery.”

The bulk of the Presidential Award-Winning collection remains housed in a  converted wine cellar in the Kinsey’s sprawling Pacific Coast home. Of the 400  available pieces, 40 were hand-selected to comprise the Disney exhibit, but  every six months they will be rotated until the entire collection has been  viewed. To preserve the integrity and protect from light and moisture damage, some items in the exhibit are facsimiles.

Innovative Disney “Imagineers” teamed to create a gallery  experience consistent with attractions throughout the resort’s multiple theme  parts. Their daunting task was to build an interactive exhibit that brings  African American history to life. Anthony Sparks, M.A. served as the  writer/consultant for the project. For more than four months, the University of  Southern California scholar and former stage actor (“Stomp”) worked to perfect  the exhibit. “The big question was how to make a gallery kid-friendly?” he  explained. “My goals were simple: appeal to families, all ages, and create  something that worked on many levels.”

The project further involved condensing vast material to tell a cohesive  story that was not all inclusive but gave a sense of the African American  experience and five tenets of The Kinsey Collection: Hope, Belief, Courage,  Heritage, and Imagination. Lanterns, symbolic of the freedom path, were given  narrative voice by Academy Award winning actress Whoopi Goldberg. Additional  A-list celebrities lending their sound were Chaundra Wilson and James Pickens,  Jr. (Grey’s Anatomy), Kerry Washington (Scandal), ABC News Anchor Diane Sawyer,  and others.

For Kinsey and wife Shirley, the realization of their cultural inheritance  is an overwhelming achievement and accomplishment. “It now has a voice, a name,  a personality,” offered Kinsey.

The Kinsey Family serves as a formidable example of African  American resilience and strength. The Florida A&M University alums met  during the civil rights movement and remain married 40 years later.  Both  are Xerox Corporation retirees who mastered  saving money in their  early lives together. The dividends have allowed them to travel more than 91  countries and help raise more than $22 million dollars to support HBCU’s. Their  son Khalil currently serves as general manager of operations for The Kinsey  Collection. While in grade-school, he exhibited an inquisitive nature regarding  his family history. Both parents eagerly addressed his cultural thirst. The rest  is Kinsey history.

Penny Dickerson is a Florida-based independent journalist. She is a  frequent contributor to the Florida Courier, Florida Times-Union and other  regional and national publications. Her work can be viewed at  pennydickersonwrites.com.

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Disney Dreamers Academy with Steve Harvey and Essence Magazine

WHERE DREAMS COME TRUE

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March 14, 2013 Filed under METRO Posted by
 
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Florida teens participate in Disney Dreamers Academy hosted by Steve Harvey, Essence Magazine

BY PENNY DICKERSON
SPECIAL TO THE FLORIDA COURIER

High school students converged upon the state last week for the sixth annual Disney Dreamers Academy sponsored by Walt Disney World Resorts with Steve Harvey and Essence Magazine.

Congratulations Disney Dreamers Academy Class of 2013

The 100 students arrived from as far as California and Vermont with a cluster of Midwestern states represented. Bodacious dreams were packed along with stories as warm as the sunshine during a four-day, three-night weekend held March 6-10.Male students at opening parade (Photo Credit Penny Dickerson)

Each student was challenged to boldly reach for the stars like the foremost signature dreamer: Walt Disney. Among them were 11 Florida “Dreamers” selected from 5,000 submissions.Winning essays articulated everything from cancer adversity to presidential award achievements, and collectively they are the next generation of physicians, journalists, James Beard award culinary chefs, Academy Award-winning actors and Disney Imagineers.

‘How bad do you want it?’
Dwight James (Jacksonville) recites a poemStudent Dwight James of Jacksonville was in awe of motivational speaker Jonathan Sprinkles who made a splash so big, he was awarded a Golden Mickie. “He gave one quote I’ll never forget,” said James. “Fear is nothing but false evidence that appears real.”

Keeping it real was thematic for the notable men who inspired. Florida A&M University graduate and film producer Will Packer encouraged teens to, “Stay focused, be consistent, and be known as someone who always delivers with excellence.”

Los Angeles philanthropist and entrepreneur Bernard Kinsey gave a presentation on Black history from The Kinsey Collection, which debuted at Epcot’s American Heritage Gallery.Bernard Kinsey Lectures on African American History from The Kinsey Collection

“Henry Assian Flipper was the first West Point graduate in 1877,” stated Kinsey. “He wasn’t spoken to for four years due to his color and what did he still do? Graduate. How bad do you want it?”

‘Fly Girl 101’
“American Idol’’ runner-up Kimberly Locke left an indelible impression on Reaghan Wooster, a Harvard University bound 14 year-old from Yalaha, which is located in Lake County.

Reaghan Wooster (Land O' Lakes, Florida)“I was inspired when she shared relationships were not supposed to be abusive,” said Wooster. “I have a stable family environment, but appreciated hearing abuse is not acceptable.”

A “Fly Girl 101” session was facilitated by twin sisters Brandi and Karli Harvey, daughters of Steve Harvey. Celebrity guests included Chaundra Wilson of “Grey’s Anatomy’’; celebrity chef Carla Hall, a co-host of “The Chew’’; and “Sunday Best’’ runner-up Jessica Reedy. Female Dreamers were given tips on everything from skirt length to confidence.

Erica Thomas, 16, from Land O’Lakes, kept it girl-power real. “I’m a Girl Scout,” she remarked. “When is it cool to not help someone? You’re never too old.”

Hands-on workshops
In “Deep Dives,” Dreamers delved into careers guided by industry professionals. Aisha Louis of Hollywood, Fla., was not accepted last year, but dreamed her way into the 2013 class where she wrote a front-page article for a newsletter produced by students during the academy.Florida student Aisha Louis (Davie, Fl) at Journalism Career Workshop

“Since last year’s application, my writing skills grew,” Louis explained. “What I thought was my story wasn’t. I learned how to express.”

“They’ve been committed from the start,” said Tanisha Sykes, senior managing editor of Essence Magazine. “I’ve seen them focus, adhere to deadlines, and just have fun. It’s been phenomenal,” she added.  Her leadership, along with Demorris Lee of the National Association of Black Journalists, saw the project through.Essence Magazine Sr. Editor Tanisha Sykes leads students during workshopk (photo credit Penny Dickerson)

Marcus Burns, Jr. dreams of becoming an artist. The Jacksonville teen rendered art so impressive during his “dive’’ that Dwayne Edwards, former designer for Jordan Brand Shoes, recommended him for a potential internship.Marcus Burns, Jr. (2)

Actor Lamman Rucker worked with creative dreamers while celebrity chef Jeff Henderson helped hone culinary skills.Chef Jeff Henderson and students (photo credit Penny Dickerson)

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Parental pow-wow
“Take care of yourself first. Healthy people raise healthy children,” advised Dr. Steve Perry. The CNN education contributor motivated parents during a personal session. “Beyond liking your kids, you have to lead them. You lead people you love.’’Dr. Steve Perry advises DDA Parents

Perry’s words resonated with parent Terlisa Sheppard, who is fighting stage four breast cancer. She receives chemotherapy but accompanied 14-year-old Alyah Sheppard, whom she calls her “miracle child.”  The Orlando family further beat odds in 2011 when daughter Alexis Sheppard was also was accepted into the academy.

A parent or guardian was invited to accompany each Dreamer to the academy. The parents and students had a complimentary stay at the Disney Port Orleans Resort. Most mornings for the students began at 6:30 a.m.

Harvey’s advice
Dreamers were armed with portfolio notebooks and 100 personalized business cards. They were encouraged to network.

Steve Harvey joked with parents, “This weekend was created for the young people with the red shirts on. We just have programs for ya’ll so you can stay out the way.”Steve Harvey at Press Conference photo credit Penny Dickerson

Punch lines were frequent but Harvey equally kept it above board.

“Whatever you do, whatever path you choose to take, please, please listen to me, put God right in the middle of your base,” pleaded Harvey. “That’s the best way. It will ensure your success; it will guarantee you get there.”

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Essence Magazine Editor-At-Large Mikki Taylor echoed with purpose.  “As you pour into your dreams, please don’t focus on money. It’s just paper…you were created to do more than make paper,” stated Taylor.

“Pursue your dream in the full recognition that your gift is not just about you.”Mikki Taylor Editor in Chief of Essence Magazine (DDA Partner)

‘All have a dream’
The World Showplace hosted a celebratory commencement featuring gospel legend Yolanda Adams. Yolanda Adams

Parents presented Dreamers with class rings by the company Josten, and tearful hugs.Marcus Burns (Jacksonville) receives graduation ring from mom at commencement

Thomas Darby (Apopka, Florida) receives his Jostens School Ring from his motherTracey Powell, Executive Champion of the Disney Dreamers Academy, leads the team responsible for program success. “This year has been fabulous,” stated Powell. “Every group of 100 is different and special, but the commonality is they all have a dream.”Tracey Powell

Powell welcomes applications in June from all who dare to dream in 2014.

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What a great time I had covering this event. The “Dreamers” were absolutely incredible young men and women and the Walt Disney world staff displayed their expected perfection and “be our guest” flair. From the beautiful accommodations at the Animal Kingdom Resort to the first parade down to the closing ceremony featuring a lion king performance, it was simply incredible. That is the single, most befitting word that I can offer: incredible. Well done Steve Harvey, essence magazine, and disney!

Lion King Graduation

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ZORA! Festival 2013 “Sustaining a Culture of Color.”

 ZORA! Sustaining a culture of color

February 7, 2013 Filed under METRO

Annual multi-day festival celebrates life of folklorist Zora Neale Hurston with plenty of art, crafts, history

Master Artist Charles Bibbs is renowned for his ability to bring the nuance of African-American culture to life through his visual artistry. The California resident’s work, like the one above, was showcased at the festival.(PENNY DICKERSON/SPECIAL TO THE FLORIDA COURIER)

Master Artist Charles Bibbs is renowned for his ability to bring the nuance of African-American culture to life through his visual artistry. The California resident’s work, like the one above, was showcased at the festival.
(PENNY DICKERSON/SPECIAL TO THE FLORIDA COURIER)

BY PENNY DICKERSON
SPECIAL TO THE FLORIDA COURIER

The town of Eatonville celebrated the 24th annual ZORA! Festival with the theme:  Zora’s Eatonville: Culture as Conservator of Community’s Heritage. The multi-day Zora Neale Hurston namesake event kicked off on Jan. 26 with its traditional pageantry and robust arts and cultural contributions from the African Diaspora to Florida.

A global perspective of the Humanities gave the 2013 occasion a unique educational approach with invited guests from Moscow, Russia and a rare view of Native American life through the lens of award-winning documentary producer Anne Makepeace. The event ended on Feb. 3 with a practical approach to preventive disease for African-Americans by Celebrity Chef Marvin Woods.

The Association to Preserve the Eatonville Community (P.E.C.) has presented the Zora Neale Hurston Festival of the Arts and Humanities since 1990. Broadly known by the exclamatory epithet – ZORA!, this year’s festival marks the conclusion of a two-year celebration of Historic Eatonville’s 125th anniversary as the nation’s oldest incorporated African-American municipality.eatonville-logo

Arts and literature
A distinctive voice in 20th-century literature, Hurston is best known for the 1937 iconic novel “Their Eyes Were Watching God.’’ ZORA Portrait                          

The anthropologist, folklorist, and essayist emerged as a creative force during the Harlem Renaissance and advanced to literary stature as an intellectual who was imbued with a unique ability to vividly portray southern life

Historically deemed nomadic and restless with an exuberant personality and penchant for wearing hats, Hurston was born Jan. 7, 1891 and died Jan. 28, 1960.  The festival in her adopted hometown of Eatonville is held each January in her posthumous memory through visual arts, oral history, traditional crafts, film, and, above all – literature.

HATitude a festival tradition
HATitude in BlackWomen wearing brims as wide as their shoulders and pillboxes touting plumes and netted veils convened at the downtown Orlando Crown Plaza for HATitude!

An intimate affair of brunch and haute couture, the tradition is known as the festival’s hottest ticket in town and allows women ages 21 to 54 an opportunity to be “the stars” for an advance price of $50 and $55 at the door. Rhythmic to attitude, HATitude is celebratory of Hurston’s colorful existence and Renaissance flair for finishing outfits with a hat.

Marjorie Phillips chose a standard black felt hat that was complementary to her petite frame and didn’t make as much noise as the more contemporary and flamboyant chapeaus at her table.HATitude Brunch #1

“I am not really a hat lover at all, “said Phillips. “I’ve heard so many great things about the brunch, but the most important thing I was told was you can’t get in without wearing a hat. For a few hours, I can learn to love a hat.”

Art in Eatonville
Master Artist Charles Bibbs is renowned for his innate ability to bring the nuance of African-American culture to life through his visual artistry. The southern California native currently resides in Riverside and began his career as a street artist who worked as a supervisor for Boeing aircraft.

“I left aviation and became a full-time artist in 1993,” offered Bibbs. “African-American people created a market for African-American art and I was in the right place at the right time.”

Bibbs cannot boast any formal training, but has a degree in business with a minor in Art. From California streets to Eatonville’s Kennedy Boulevard, the spectacled genius joined colleagues on fine arts lane where he welcomed a continual host of fans and emerging artists eager to meet the man who masters both his people and color.Charles Bibbs Master Artist in Residence

“I’m a mixed media artist, mainly acrylic and ink,” explained Bibbs. “I’m a believer that you paint by what you know and what you experience and that’s what I’ve done over the years and I’ve been successful at it…the important thing that I preach is that we need to breed collectors. And they need a starting point.

They need to be able to buy a poster and a print and as they move on, they will be able to understand what they are buying through education.”

According to Bibbs, art is based upon affordability and he belongs to a community of artists who seek to merge the efforts of a mainstream and elite audience to advance the art form and opportunities for all. When asked the advice he would give potential artists, Bibbs imparts, “Approach it like a business and not something so special you can’t part with.”

From tofu to turkey
Everybody screamed for the fresh churned, homemade ice cream and additional sugary delights during the popular “Outdoor Festival of the Arts.” Amidst children performing on the steps of Macedonia Missionary Baptist Church, street peddlers pushed red wagons filled with candy apples down Kennedy Boulevard while vendors prodded visitors into rows of white tents.Family eating ice cream

For a fixed or bargained price, attendees could purchase everything from pure African shea butter to T-shirts from President Barack Obama’s inauguration. In the biggest tent, adjacent to preferred soul food and fried fish that has watered festival palettes for years, Celebrity Chef Marvin Woods led a one-man campaign to help African-Americans prevent the prevalent diseases that affect our race: diabetes, high blood pressure, and cholesterol. Behind a colorful set of fresh fruit, exotic spices and natural grain ingredients, Woods simultaneously lectured and demonstrated a healthy recipe using either tofu or turkey for chili.130208_metro01c

“I’m giving you a recipe that is easy and nutritious,” said Woods. “African-Americans are used to smoked meats that are not really naturally smoked, but rather injected with smoke flavors. That’s sodium and creates a high salt intake and leads to diseases that can shorten lives.”

Woods suggested smoked paprika for a spice and the grains Quinoa and Farro as white rice alternatives. Upon sampling the final product, many guests were shocked at their affinity to adapt to the recipe. “I eat any and everything, but I do it in moderation,” explained Woods. “People need to learn the concept of eat more weigh less: 64 ounces of water, five meals a day, and some form of exercise.”

Bridging the Black male gap
Consistent with the festival’s theme, innovative artists represented projects created to give voice to the role of communities in the preservation of heritage.

Houston activist and artist Rick Lowe, founder of Project Row Houses joined Hank Willis Thomas for an opening reception and gallery talk on the cutting edge transmedia art project titled Question Bridge: Black Males.Panel on black male issues at Question Bridge gallery talk

The brainchild of innovators Thomas and Chris Johnson, the two collaborated with Bayete Ross Smith and Kamal Sinclair to document provocative dialogue that stemmed from a five-channel video installation representing more than 150 Black men in 12 U.S. cities. Considered more of a “megalogue,” the stream-of -consciousness inquiries run the gamut of family, love, sexuality, community, education, and the most prevalent dilemma for today’s black men: violence.

A predominantly female audience attended an evening community engagement and panel discussion on Feb. 1 in the Eatonville Library following a walk-through tour in the Zora Neale Hurston National Museum of Fine Arts on Kennedy Boulevard.

“The project is not just about Black males, it’s about people and how people react when put in a group, and how they react within that group,” explained Thomas.

Featured males posed questions like the poignant, “What is common to us as Black males?” A male responds: “Our commonality is in our history. Our beauty is who we are as Black people.” That respondent then poses his own question and the cyclic inquiry continues.

Captured responses ranged from the candid, “What’s so cool about selling crack?” to an incarcerated Black male in the San Diego prison being asked, “Are you ready for freedom?”  A continued “Talk Back” session was held Saturday afternoon during “Family Day.”

Sustaining ZORA!
N.Y. Nathiri Director of Multidisciplinary Programs outcry for philanthropy to save ZORA“We need a little bit of money from a whole lot of people,” pleaded N.Y. Nathiri, director of Multidisciplinary Programs and Chair of the ZORA! Festival National Planners. The committee dedicated a full page in the festival guide outlining their appeal to “those who value ZORA! Festival. The following is explicitly outlined as follows:

“For the first since the P.E.C. began competing for tourist development tax grant dollars (2002), ZORA! Festival 2013 was not recommended for funding. However, on October 16 (2012), in a first-ever, one-time exception, Orange County Mayor Teresa Jacobs and the Orange County Board of County Commissioners, in a 6-1 vote, allocated the $150.000, $1-for-$1 cash match grant to P.E.C. as long as our organization was able to meet certain stipulations…one of those stipulations was to make a report on April 2013 which addresses how well our organization has been able to expand its funding base; and to demonstrate a “broad public endorsement” of ZORA! Festival by documenting the individual financial investments we receive during “the festival cycle,” i.e. November 1, 2012 – April 30, 2013.”

Their first effort to address the aforementioned was to charge admission. Attendees ages 17 and younger were admitted free. Those older were asked to give a cash donation. The future of ZORA! Festival and Hurston’s cultural legacy rests in the contributions left in envelopes provided by the community. Next year the festival will celebrate its 25th anniversary.

CooperMorgan Dance Theatre: At The Gates.

Link to Florida Times-Union (Sun Community)

http://jacksonville.com/entertainment/arts/2011-06-24/story/cooper-morgan-dance-theatre-stages-phenomenal-performance

Creative duo Dewitt Cooper III and Savery Morgan
blessed Jacksonville with a phenomenal, ensemble dance performance on Sunday, June 19, 2011 at  one of downtown’s new, eclectic venues at 111 E. Bay Street.  The second story conclave of brick walls complemented by visual art from local artists was transformed into a riveting temple of lyricism and power before a packed house that confirmed the First Coast has both a genuine thirst for performing arts and a talent base that delivers.

 At The Gates celebrated expressive and limitless human form from lines and balance to aerial awe that defied gravity. Through eight original works, 20th century concert dance progressively traveled with triumph and strength as a multicultural ensemble modeled the freedom and fluidity made famous by Martha Graham to the West Indian influences of Katherine Dunham’s polyrhythmic fusion of continual movement.  Also present were the techniques of Lester Horton, Jose Limon, and Merce Cunningham.

Grounded in groove and contemporary in approach, Gates was inspired by the positive transition Cooper and company members are currently experiencing.

“We wanted to set a piece that represented moving through life and being at the threshold of change, “ offered Cooper.  The monumental work marks the fifth season the energetic pair has offered a mainstage concert in conjunction with their            summer dance intensive held at The Performers Academy (Beach Blvd) under the direction of Kezia Hendrix-Rolle. Forty students – ages 8 to 23 – were placed into two, separate levels and trained from 9:00 a.m. to 5:00 p.m. over three weeks in the rudiments of French and Russian ballet, modern and repertory classes in preparation for a July 1st performance at LaVilla School of the Arts (Admission: $5.00).

Twelve year-old Kaila Justice is a summer scholarship student who has a promising modeling career, but continued to hone her dance technique at the intensive. “I really feel that Mr. Savery challenges me during ballet class and it makes me want to be better and work harder, “ said Justice.

The precocious beauty looks forward to her upcoming performance, but admittedly hates stretching and conditioning class and defers on the turkey sandwiches  they occasionally served for lunch. Preferred by Justice are chicken nuggets accompanied by milk and fruit, plus an afternoon snack.

“Kaila is one of those kids who proved me wrong,” said Morgan. “She has grown by leaps and bounds this summer and is by the far our most improved student.”

Most summer intensive students were present when Gates opened with Thank you Mr. Fagan, a choreographic tribute to Cooper’s mentor Garth Fagan (Lion King). Set to music by Portico Quartet, long, linear limbs merged with playful palms, fists, and the fun flexing of feet, as diverse duos emphasized how art and relationship coexist: often lateral, quickly moving and leaping, but never standing still.  

Alvarez featured Morgan bare-chest and denim jeans clad paired with recent Douglas Anderson School of the Arts (DASOTA) graduate Hillary Bodin in a sensual Pas De Deux performed en Pointe. The duet’s performance challenged the rigid constraints of classical ballet and served as a calm segue to guest choreographer Kavin Grant’s  impressive Testimony. The spirited work served as its own testament to how six men in black, neck ties, and two women give volume and voice to innovative staging, spatiality, and angles.

New World Miami graduate Julie Williams choreographed a moving rendition thematic of Ragtime the Musical. Pride featured Cooper in a interpretive, theatrical solo followed by LASOTA Dance Chair, Michelle Ottley-Fisher’s emotive Pedersi set to new music by R&B legend, Prince. Fisher’s three couples included former Jaguars “Roar” cheerleader, Dawn  Schlosser partnered with talented newcomer Samuel Hills who journeyed a complex story of how love and not so love figuratively rises above highs and low and dominance and yield. The parallelism was aptly portrayed with passion, agility, and intense floor work.

Prior to a 10-minute intermission, honors were bestowed upon Kezia S. Rolle for the support she  consistently provides her former students. “What a stimulating performance! Cooper Morgan supplies Jacksonville with a home for professional level dancers. We have needed a company of this caliber of a long time. It’s about time,” said Rolle. “I am proud to watch the JCA influence and remember training 80% of the company as beginners. It’s so interesting to watch the dancers perform and showcase their technique and level of expertise. I am truly a proud momma and wish the company longevity and success,” she added.

Also honored for artistic mentoring was JCA instructor and former Martha Graham Company Member Suzanne Saltmarsh who offered, “I believe that dance transcends cultural, economic, and religious  beliefs and has the power to communicate on an international level. It can reach students of all ages, and all backgrounds to create a more informed and aware community that strives to benefit from one another.”

JM Family Enterprise was recognized for serving as the sole, Gold level sponsor; however, several  contributors helped the production on a Platinum level including Carol Alexander, Executive Director of the Ritz Theatre and LaVilla Museum, Barlow Orthodontics, Libby Smith, Debra Smith (Atlanta, Ga.), Dale Turner (Los Angeles, California), and the philanthropic generosity of Charles and Luis Schlosser.  Bronze level contributors included Dontecia Seymoure Genny Lis Padilla (New York, NY) and Paul and Tracie Parsons.

Following Tribute, a female quartet by Julie Williams, Gabriel’s Army took stage and was the evening’s most fully-realized work as a collaborative effort of Morgan and DASOTA alumnae David Freeland, both of whom also performed.

Gabriel earned an audience ovation for the weightless calisthenics of eight, war-ready men dressed in silhouettes of sheer white pants and leotards. With command, Wesley McIntryre (University of North Carolina School of the Arts) and Joshua Abbott (Jacksonville University) captivated the stage with larger than life extended leaps, flashing infra-red lighting, and storied precision, while Freeland’s vigor, strength, and keen sense of musicality proved why he was sought by the SUNY Purchase dance department and is destined for  professional success.

The evening closed with the dynamic, signature finale At The Gates which was performed in six movements and set to original music by Ohio composer Alex Cooke. Thematic to CooperMorgan’s goal to unravel the conflict that transition brings, the stark contrast of night and day was conveyed through absolute costuming in black or  white. The measured contributions of featured luminaries Kelsey Dickerson (Jacksonville University) and Michael Supado Brown helped temper and pace the anchoring movements: Prologue and Redemption. Dressed in white, the two earlier partnered in Ottley-Fisher’s Perdersi.

Julie Williams performed breathlessly in the fourth movement, At The Gates: for better, for worse.  Dunham technique was prevalent as West African dance influences helped simulate artistic battle to define conflict versus resolution and the constricted movement that precedes transition’s emotional escape. DASOTA students Carmen Cage and Ashlee Williams more than held their own as the company’s youngest performers along with the refreshing breakout performances by Tyveze Littlejohn and Akeem Edwards, both of whom are new to CooperMorgan.

David Freeland – SUNY Purchase

New heights are inevitable for CooperMorgan as they each transition to new artistic ventures. Cooper will soon perform on Norweigian Cruise Lines following the April close of his run on Broadway’s national tour of In The Heights. Currently, he performs in Walt Disney World’s Finding Nemo, and is a trailblazer who is the first African American male to graduate from the Musical Theatre Program at Florida State University and also the first male of his race to earn a MFA in Contemporary Dance from Case Western Reserve University. Morgan’s path includes training and performing with Florida Ballet, Dance Theatre Harlem, Greensboro Ballet, and Atlanta Ballet, and he is enjoying his sixth season as a company member of Atlanta’s Ballethnic. Each are a symbol of artistic pride, both have impressive performance resumes, and collectively they are examples of how focus and discipline keep CooperMorgan Dance Theatre on the threshold of success.


Photo Credits:   Dewitt Cooper III – Amy Barnard (Los Angeles)

Savery Morgan – Mr. King

Kaila Justice – Blue Francois (Blue Franswa FotograFia)

Suzanne Saltmarsh – Doug Eng

All performance photos: Mike Erdeyli

###

Penny Dickerson 2011


Congratulations Judge-elect Suzanne Bass

As a matter of fact,

YES ~ She Won!

“Penny Pundit” graciously takes a necessary pause from her usual political jabs at public service representative’s pitfalls and piss-fights to unequivocally endorse and promote a woman of integrity, valor, good will, and judicial qualification: Suzanne Bass.
With the utmost respect, I delve into this blog endeavor with the best of intentions because it’s necessary and, well, a nice thing to do. It is as much a political literary pursuit as it is a gift to my good friend of “Circuit-Court-Seat” pursuit who turned the young age of 60 on Saturday, June 9th. Happy Birthday future Judge Bass, you don’t look a day “Over the Rainbow” and on election day: August 14, 2012, the pot of gold called political victory will be yours. Duval, Clay, and Nassau Counties will “even handed” elect Suzanne Bass Circuit Court Judge for Group 34.

As a journalist, I love a good story, and the picture to the left speaks the familiar cliche of one million words. An eager, forward-thinking, young Suzanne sustains that straight forward look which historically defines honesty and strength, but somehow I get the feeling that even as a young Public Defender, Suzanne Bass harbored solid, career aspirations of upholding justice and firmly slamming a gavel. The young defender is soon to meet her destiny; a just reward for challenging an incumbent.

Just like Virginia Slims, You’ve come a long way baby.” Look at the litany of accolades and accomplishments outlined above. Your current (and prior) legal and community life makes you more than just an “apt” candidate but more so, a definitive, qualified winner.  Unfortunately, most community voters aren’t even aware that it is incumbent upon us to elect our county and circuit judges.

Judges are public servants who make some of the most important legal/judicial decisions that affect our community. Yes. Some judges are indeed appointed by governors or presidents, but the election to be held August 14, 2012 is about community. It is the opportunity for a voting populous in Florida’s northern, tri-county to SPEAK their choice by selecting “B” for Bass on their local voting ballots.

Suzanne and I initially met at the San Marco Deli in Jacksonville, Florida. On that day, she was with “what’s his name,” and I was with “what’s his name.”  However, since then, she has been steadfast, unmovable, and positioned herself to be in the presence of the most important community leaders as noted in the image left. Pictured is Suzanne with Jacksonville Mayor Alvin Brown (of course everyone knows his name…a.k.a. “Hizzoner”). From initial meetings she and I enjoyed lunch appointments, discussions, phone conversations, (and my thumb getting slammed in a car door…ahem). I must say, I thought she’d be dead by April from campaign exhaustion, but Madame Bass is a MACHINE.

The beautiful aspect it is that she’s not just showing up in photo images simply for the sake of garnering votes, Suzanne really does love the Jacksonville community, and the rigors of campaigning have simply availed more time for her to do what she loves most: meet the people she’s advocated, represented, and/or mediated for over the past 30 years. 

True to her Suwannee, Florida roots, Suzanne easily transitions to Jacksonville’s urban landscape by walking “shoulder to shoulder” with community youth from the Jacksonville Coalition of Kids and/or supporting domestic violence initiatives.  She’s military friendly and proud of every American who courageously and unselfishly serves in the United States military.

As an independent mediator (legal proprietor), Suzanne has assisted countless First Coast residents in adoption precedings and/or served as an integral force in their quest to reach amicable solutions when discord threatens what some deem a “traditional” family unit.

Most impressive is that while some candidates for office embrace a posture that simply because they have declared candidacy and are running for public service, the public owes them their vote.

I admire that Suzanne is hitting the asphalt hard and with sincerity, she ASKS  future constituents for both support and their vote on election day, August 14, 2012.

For the aforementioned reasons and more, future Circuit Court Judge Suzanne Bass has garnered endorsement and support from some of Jacksonville and the surrounding area’s leading media,political, and civic voices including:

  • The Florida Times-Union
  • Former Jacksonville Mayor John Delaney
  • Former Fernandina Mayor Bill Leeper
  • State Representative Mike Weinstein
  • State Representative Reggie Fullwood
  • John Thrasher
  • Nassau County Clerk of Courts’
  • Asian American Alliance
  • BEACHES, BALDWIN, ORANGE PARK MAYORS ENDORSE SUZANNE BASS FOR CIRCUIT JUDGE
    The mayors of Jacksonville Beach, Atlantic Beach, Neptune Beach, Baldwin, and Orange Park officially announced their endorsements of Suzanne Bass for Circuit Court Judge for the 4th Judicial Circuit of Florida
  1.  Jacksonville Beach Mayor Fland Sharp
  2. Atlantic Beach Mayor Mike Borno
  3. Neptune Beach Mayor Harriet Pruette
  4. Baldwin Mayor Stan Totman
  5. Orange Park Mayor Gary Meeks
  6. Former Atlantic Beach Mayor Billy Howell
  • JAX CITY COUNCIL MEMBERS ENDORSE SUZANNE BASS FOR CIRCUIT JUDGE
  1. Elaine Brown
  2. Matt Carlucci
  3. Lad Daniels
  4. Alberta Hipps
  5. Suzanne Jenkins
  6. Ginny Myrick
  7. Matt Schellenberg
  • SIX PAST PRESIDENTS OF THE JACKSONVILLE BAR ASSOCIATION
  1. Jephtha Barbour
  2. Reginal Luster
  3. Marc M. Mayo
  4. James F. Moseley, Jr.
  5. Mary K. Phillips
  6. Carl M. Stewart

Whether she’s networking with women at the I.M. Sulzbacher’s luncheon or enjoying a light moment with community pillars like Carlton Jones, Suzanne Bass is taking her candidacy serious and hasn’t made haste with letting the community know that she is not only in the “race,” but in the race to win it. (even-handed).

 

      Oh 2012, how I love thee with all your national attention recently focused on “Wit Romney” challenging my hero and POTUS over silly semantics that describe the Private Sector as “Fine vs. Good.” (Go with “Adequate” Mr. President).

Nationally, the gasp and grind and giggle is all part of what makes every four-year, national election season tense and temperamental for candidates, but also contemplative and cautious for the American voting population. Your conscious decision to vote on August 14, 2012 is about restoring a healthy (and respectable) legal tone to the city of Jacksonville’s judiciary community by voting and electing Suzanne Bass, Circuit Court Judge Group 34.

In order for the aforementioned to be successfully accomplished, I additionally, encourage you to choose the candidate who has accepted ACCOUNTABILITY as the foundation for both her candidacy and service. If you’d like to follow the progress of the Suzanne Bass for Circuit Court Judge campaign, make a donation, volunteer, and/or keep up with her growing media mentions, please refer to the following website:   www.suzannebassforjudge.com

Suzanne Bass is mentioned in Folio Weekly’s cover story: May 12, 2012              
Focus: “…A Rare Election Season Challenge…” 

                     http://www.folioweekly.com/folio0515wkl006.php

AUGUST 14, 2012

Penny Dickerson 2012