Meet Penny Dickerson

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Contact: pennydickersonwrites@gmail.com

Penny Dickerson is an artist whose primary form of expression is writing.. She earned a B.A. degree in Journalism from Temple University (Philadelphia, PA) and an M.F.A. in Creative Writing from Lesley University (Cambridge, MA).  She will transition as an English & Creative Writing Instructor at Douglas Anderson School of the Arts and join her alma mater, Florida State College Jacksonville, as a Liberal Arts Professor in 2012 teaching courses in English composition I & II and Film.

Penny is additionally an Independent Journalist contributing to the Florida Times-Union, Florida Courier, and regional/national publications.  Prior employment includes English professorships at Virginia College, Adjunct/High School collaborative positions with Sussex County Community College and Hopatcong High School (New Jersey) and teaching posts for Duval County Public Schools. As a fundraiser, Penny served as Assistant Area Director of Development for the United Negro College Fund’s $1 million Orlando team, and is  former Marketing Director for Gateway Towne Center.

Born Merdis Lavonda Robinson in El Paso, Texas, she was given the nickname Penny by her mother, but friends close to the helm refer to her simply as “P.”  Raised a “military brat,” Penny traveled extensively and attended various primary/middle schools, but ultimately graduated from Nathan Bedford Forrest High school in Jacksonville, Florida. Pageantry afforded her the opportunity to pursue higher education, as she won several teen pageants and was further crowned the first black Miss Florida Junior College (Miss America Preliminary) and held the title Miss Black Florida.

Prior to winning the National Shrine Pageant, she  traveled the Caribbean with the 1st Miss Florida USO Troupe and has experienced all points of the world as a former TWA Flight Attendant. Penny is listed as an Outstanding Woman in American, Who’s Who In American Junior Colleges, a member of Alpha Kappa Alpha Sorority, Inc. and is a Leadership Jacksonville Alumni. She is an American Symphony Orchestra League Management Fellowship finalist, Creative Capital Professional  Development  Workshop participant, and recently participated in the  2011 Minority Writer’s Seminar sponsored by the National Board of Editorial Writers.

Penny specializes in human interest stories and interviews. Some high profile subjects include Nikki Giovanni, Ntozaki Shange, Congresswoman Corrine Brown and more.  She is a cancer survivor currently penning a non-fiction work titled, “Malignant Wind,” which she hopes to release in 2012. Penny beholds an abiding love for God and is the divorced, single parent to Kelsey Nicole Dickerson (22) who gave birth to “Journey Nicole” on February 18, 2012. Like a champion, Kelsey earned her B.F.A. degree in Dance from Jacksonville University four months later (May 2012). She is a performing company member with Paradigm Flux and Full-time Studio Manager for “Dansations.”Kelsey and Journey

Penny is a proud, proud, proud

“Nana P.”   

The Kinsey Collection: African American Family Debuts Cultural Exhibit at Walt Disney World

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A Whole New World: The Kinsey Collection

An art and history loving African American Family debuts their coveted  collection at Walt Disney World

By Penny Dickerson

A Whole New World: The Kinsey Collection

“The Walls” from the Kinsey Collection

If the art of sharing were worth its weight  in gold, the amassed cultural treasures of Bernard and Shirley Kinsey  would easily personify Ft. Knox. The philanthropist couple have gathered 400 ‘authentic and rare art, artifacts, books, documents and manuscripts that tell  the often untold story of African American achievement and contributions.’ The  culminating result is an impressive touring exhibit spanning more than 400 years  of history aptly titled, “The  Kinsey Collection: Shared Treasures of Bernard and Shirley Kinsey.”

More than 3 million people in seven U.S. cities including the Smithsonian  Institute in Washington, D.C. have been exposed and culturally enriched. And  now, a global audience can experience ‘the intersect of art and history’ at Walt  Disney World in Orlando, Florida.

Earlier this month, The Kinsey Collection opened to the public at the  American Heritage Gallery of the American Adventure Pavilion at EPCOT Center  where it will remain until 2016.  The private unveiling took place during  the 6th Annual Disney Dreamers  Academy weekend hosted by Steve Harvey with Essence magazine. The competitive program selects 100 students from across the  country to indulge in four days of mentoring workshops facilitated by  celebrities like gospel sensation Yolanda Adams, American Idol runner-up  Kimberley Locke, Actor Doc Shaw from Tyler Perry’s “House of Payne,” CNN  education contributor Dr. Steve Perry, and more.

Bernard Kinsey─patriarch of the namesake collection─also honored the 2013 cohort with a  historical lecture, “The Myth of Absence” which aligns with the Kinsey’s  ultimate goal: education.Bernard Kinsey Lectures on African American History from The Kinsey Collection

A Disney partnership effectively broadens the collection’s outreach, but a  unique agreement with the Florida Department of Education  fills a void  Kinsey believes is omitted by most African American textbooks. The Kinsey’s  self-published coffee-table book bears the collection’s title and has been  approved to teach K-12 history in Florida schools.

The publication works in concert with the collection as a visual and  kinesthetic educational component. Readers embark upon a 198 page, picturesque  journey in print that begins in 1632 and travels to the present. The art of  Stephen Duncanson and Romare Bearden are complemented by 17th century  documents from historical abolitionist Frederick Douglass and Dr. Martin Luther  King. Jr., whose legacy encouraged everyone to ignite a dream.

“This exhibit presents truth, but is not an exercise in  victimhood,” said Bernard Kinsey to a captive room at EPCOT World  Showplace. “We have the courage to uplift and do justice to an integral part of  American history that dispels the myth that our history is absent from the  whole.”

The Kinsey Collection

The Kinsey Collection Opening at Disney World

Cross-referencing visual slides from the collection, Kinsey’s unwavering  passion for history reverberated as he described the 1832 slavery ‘Bill of Sale’ that inspired the collection. From his confident podium stance to his  matter-of-fact wisdom, he remained candid about everything from the 1619  Mayflower arrival to Buffalo Soldier pride.  Images of black bodies lined  like sardines beneath a slave ship’s belly were displayed along with the dismay  of Dr. Selma Burke’s original mold being used to create Teddy Roosevelt’s  likeness on the American dime. The African American sculptor was never given  credit. Throughout, Kinsey remained unapologetic in his posture that the African  American presence in history is not one of invisibility.

Among the engaged dreamers was 15-year-old Dwight James of Jacksonville,  Florida who expressed genuine excitement: “I loved when he said Christopher  Columbus didn’t discover America. The Indians found America. America has been  re-owned,” said James, who dreams of becoming a writer.

Sharing his sentiments was spoken word artist Husain Abd’Allah from Jamaica,  NY. The ninth grade homeschooler is a Schomburg Junior Scholar in African  American studies who was intrigued by the gallery, “It was such a wonderful  exhibit,” he said. “We got to see how it all came together. They had a lantern  where you just turn the handle and it starts giving you an overview of the  gallery.”

Most impressive for Abd’Allah was Mrs. Fisher’s Cookbook, the first  known cookbook by a Black person. Husein, like many in attandance, had never  heard this information prior to The Kinsey Collection.

It was Carmen Smith, Vice President of Creative Development  of Walt Disney Imageering whose unwavering vision lead to the Kinsey-Disney  partnership. She learned about the Collection from Bob Billingslea, former Vice  President of Corporate Urban Affairs and Minority Outreach, and eagerly  presented the idea to theme park executives. “We saw this as a unique  opportunity,” she said. “More than 20 Disney executives were taken to Los  Angeles, California to view the entire collection. It was simply magical! There  were no hesitations to bring it to the American Gallery.”

The bulk of the Presidential Award-Winning collection remains housed in a  converted wine cellar in the Kinsey’s sprawling Pacific Coast home. Of the 400  available pieces, 40 were hand-selected to comprise the Disney exhibit, but  every six months they will be rotated until the entire collection has been  viewed. To preserve the integrity and protect from light and moisture damage, some items in the exhibit are facsimiles.

Innovative Disney “Imagineers” teamed to create a gallery  experience consistent with attractions throughout the resort’s multiple theme  parts. Their daunting task was to build an interactive exhibit that brings  African American history to life. Anthony Sparks, M.A. served as the  writer/consultant for the project. For more than four months, the University of  Southern California scholar and former stage actor (“Stomp”) worked to perfect  the exhibit. “The big question was how to make a gallery kid-friendly?” he  explained. “My goals were simple: appeal to families, all ages, and create  something that worked on many levels.”

The project further involved condensing vast material to tell a cohesive  story that was not all inclusive but gave a sense of the African American  experience and five tenets of The Kinsey Collection: Hope, Belief, Courage,  Heritage, and Imagination. Lanterns, symbolic of the freedom path, were given  narrative voice by Academy Award winning actress Whoopi Goldberg. Additional  A-list celebrities lending their sound were Chaundra Wilson and James Pickens,  Jr. (Grey’s Anatomy), Kerry Washington (Scandal), ABC News Anchor Diane Sawyer,  and others.

For Kinsey and wife Shirley, the realization of their cultural inheritance  is an overwhelming achievement and accomplishment. “It now has a voice, a name,  a personality,” offered Kinsey.

The Kinsey Family serves as a formidable example of African  American resilience and strength. The Florida A&M University alums met  during the civil rights movement and remain married 40 years later.  Both  are Xerox Corporation retirees who mastered  saving money in their  early lives together. The dividends have allowed them to travel more than 91  countries and help raise more than $22 million dollars to support HBCU’s. Their  son Khalil currently serves as general manager of operations for The Kinsey  Collection. While in grade-school, he exhibited an inquisitive nature regarding  his family history. Both parents eagerly addressed his cultural thirst. The rest  is Kinsey history.

Penny Dickerson is a Florida-based independent journalist. She is a  frequent contributor to the Florida Courier, Florida Times-Union and other  regional and national publications. Her work can be viewed at  pennydickersonwrites.com.

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Disney Dreamers Academy with Steve Harvey and Essence Magazine

WHERE DREAMS COME TRUE

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March 14, 2013 Filed under METRO Posted by
 
Click link below banner to read the original text from the Florida Courier.
This post has been altered by the addition of photographs
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Florida teens participate in Disney Dreamers Academy hosted by Steve Harvey, Essence Magazine

BY PENNY DICKERSON
SPECIAL TO THE FLORIDA COURIER

High school students converged upon the state last week for the sixth annual Disney Dreamers Academy sponsored by Walt Disney World Resorts with Steve Harvey and Essence Magazine.

Congratulations Disney Dreamers Academy Class of 2013

The 100 students arrived from as far as California and Vermont with a cluster of Midwestern states represented. Bodacious dreams were packed along with stories as warm as the sunshine during a four-day, three-night weekend held March 6-10.Male students at opening parade (Photo Credit Penny Dickerson)

Each student was challenged to boldly reach for the stars like the foremost signature dreamer: Walt Disney. Among them were 11 Florida “Dreamers” selected from 5,000 submissions.Winning essays articulated everything from cancer adversity to presidential award achievements, and collectively they are the next generation of physicians, journalists, James Beard award culinary chefs, Academy Award-winning actors and Disney Imagineers.

‘How bad do you want it?’
Dwight James (Jacksonville) recites a poemStudent Dwight James of Jacksonville was in awe of motivational speaker Jonathan Sprinkles who made a splash so big, he was awarded a Golden Mickie. “He gave one quote I’ll never forget,” said James. “Fear is nothing but false evidence that appears real.”

Keeping it real was thematic for the notable men who inspired. Florida A&M University graduate and film producer Will Packer encouraged teens to, “Stay focused, be consistent, and be known as someone who always delivers with excellence.”

Los Angeles philanthropist and entrepreneur Bernard Kinsey gave a presentation on Black history from The Kinsey Collection, which debuted at Epcot’s American Heritage Gallery.Bernard Kinsey Lectures on African American History from The Kinsey Collection

“Henry Assian Flipper was the first West Point graduate in 1877,” stated Kinsey. “He wasn’t spoken to for four years due to his color and what did he still do? Graduate. How bad do you want it?”

‘Fly Girl 101’
“American Idol’’ runner-up Kimberly Locke left an indelible impression on Reaghan Wooster, a Harvard University bound 14 year-old from Yalaha, which is located in Lake County.

Reaghan Wooster (Land O' Lakes, Florida)“I was inspired when she shared relationships were not supposed to be abusive,” said Wooster. “I have a stable family environment, but appreciated hearing abuse is not acceptable.”

A “Fly Girl 101” session was facilitated by twin sisters Brandi and Karli Harvey, daughters of Steve Harvey. Celebrity guests included Chaundra Wilson of “Grey’s Anatomy’’; celebrity chef Carla Hall, a co-host of “The Chew’’; and “Sunday Best’’ runner-up Jessica Reedy. Female Dreamers were given tips on everything from skirt length to confidence.

Erica Thomas, 16, from Land O’Lakes, kept it girl-power real. “I’m a Girl Scout,” she remarked. “When is it cool to not help someone? You’re never too old.”

Hands-on workshops
In “Deep Dives,” Dreamers delved into careers guided by industry professionals. Aisha Louis of Hollywood, Fla., was not accepted last year, but dreamed her way into the 2013 class where she wrote a front-page article for a newsletter produced by students during the academy.Florida student Aisha Louis (Davie, Fl) at Journalism Career Workshop

“Since last year’s application, my writing skills grew,” Louis explained. “What I thought was my story wasn’t. I learned how to express.”

“They’ve been committed from the start,” said Tanisha Sykes, senior managing editor of Essence Magazine. “I’ve seen them focus, adhere to deadlines, and just have fun. It’s been phenomenal,” she added.  Her leadership, along with Demorris Lee of the National Association of Black Journalists, saw the project through.Essence Magazine Sr. Editor Tanisha Sykes leads students during workshopk (photo credit Penny Dickerson)

Marcus Burns, Jr. dreams of becoming an artist. The Jacksonville teen rendered art so impressive during his “dive’’ that Dwayne Edwards, former designer for Jordan Brand Shoes, recommended him for a potential internship.Marcus Burns, Jr. (2)

Actor Lamman Rucker worked with creative dreamers while celebrity chef Jeff Henderson helped hone culinary skills.Chef Jeff Henderson and students (photo credit Penny Dickerson)

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Parental pow-wow
“Take care of yourself first. Healthy people raise healthy children,” advised Dr. Steve Perry. The CNN education contributor motivated parents during a personal session. “Beyond liking your kids, you have to lead them. You lead people you love.’’Dr. Steve Perry advises DDA Parents

Perry’s words resonated with parent Terlisa Sheppard, who is fighting stage four breast cancer. She receives chemotherapy but accompanied 14-year-old Alyah Sheppard, whom she calls her “miracle child.”  The Orlando family further beat odds in 2011 when daughter Alexis Sheppard was also was accepted into the academy.

A parent or guardian was invited to accompany each Dreamer to the academy. The parents and students had a complimentary stay at the Disney Port Orleans Resort. Most mornings for the students began at 6:30 a.m.

Harvey’s advice
Dreamers were armed with portfolio notebooks and 100 personalized business cards. They were encouraged to network.

Steve Harvey joked with parents, “This weekend was created for the young people with the red shirts on. We just have programs for ya’ll so you can stay out the way.”Steve Harvey at Press Conference photo credit Penny Dickerson

Punch lines were frequent but Harvey equally kept it above board.

“Whatever you do, whatever path you choose to take, please, please listen to me, put God right in the middle of your base,” pleaded Harvey. “That’s the best way. It will ensure your success; it will guarantee you get there.”

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Essence Magazine Editor-At-Large Mikki Taylor echoed with purpose.  “As you pour into your dreams, please don’t focus on money. It’s just paper…you were created to do more than make paper,” stated Taylor.

“Pursue your dream in the full recognition that your gift is not just about you.”Mikki Taylor Editor in Chief of Essence Magazine (DDA Partner)

‘All have a dream’
The World Showplace hosted a celebratory commencement featuring gospel legend Yolanda Adams. Yolanda Adams

Parents presented Dreamers with class rings by the company Josten, and tearful hugs.Marcus Burns (Jacksonville) receives graduation ring from mom at commencement

Thomas Darby (Apopka, Florida) receives his Jostens School Ring from his motherTracey Powell, Executive Champion of the Disney Dreamers Academy, leads the team responsible for program success. “This year has been fabulous,” stated Powell. “Every group of 100 is different and special, but the commonality is they all have a dream.”Tracey Powell

Powell welcomes applications in June from all who dare to dream in 2014.

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What a great time I had covering this event. The “Dreamers” were absolutely incredible young men and women and the Walt Disney world staff displayed their expected perfection and “be our guest” flair. From the beautiful accommodations at the Animal Kingdom Resort to the first parade down to the closing ceremony featuring a lion king performance, it was simply incredible. That is the single, most befitting word that I can offer: incredible. Well done Steve Harvey, essence magazine, and disney!

Lion King Graduation

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ZORA! Festival 2013 “Sustaining a Culture of Color.”

 ZORA! Sustaining a culture of color

February 7, 2013 Filed under METRO

Annual multi-day festival celebrates life of folklorist Zora Neale Hurston with plenty of art, crafts, history

Master Artist Charles Bibbs is renowned for his ability to bring the nuance of African-American culture to life through his visual artistry. The California resident’s work, like the one above, was showcased at the festival.(PENNY DICKERSON/SPECIAL TO THE FLORIDA COURIER)

Master Artist Charles Bibbs is renowned for his ability to bring the nuance of African-American culture to life through his visual artistry. The California resident’s work, like the one above, was showcased at the festival.
(PENNY DICKERSON/SPECIAL TO THE FLORIDA COURIER)

BY PENNY DICKERSON
SPECIAL TO THE FLORIDA COURIER

The town of Eatonville celebrated the 24th annual ZORA! Festival with the theme:  Zora’s Eatonville: Culture as Conservator of Community’s Heritage. The multi-day Zora Neale Hurston namesake event kicked off on Jan. 26 with its traditional pageantry and robust arts and cultural contributions from the African Diaspora to Florida.

A global perspective of the Humanities gave the 2013 occasion a unique educational approach with invited guests from Moscow, Russia and a rare view of Native American life through the lens of award-winning documentary producer Anne Makepeace. The event ended on Feb. 3 with a practical approach to preventive disease for African-Americans by Celebrity Chef Marvin Woods.

The Association to Preserve the Eatonville Community (P.E.C.) has presented the Zora Neale Hurston Festival of the Arts and Humanities since 1990. Broadly known by the exclamatory epithet – ZORA!, this year’s festival marks the conclusion of a two-year celebration of Historic Eatonville’s 125th anniversary as the nation’s oldest incorporated African-American municipality.eatonville-logo

Arts and literature
A distinctive voice in 20th-century literature, Hurston is best known for the 1937 iconic novel “Their Eyes Were Watching God.’’ ZORA Portrait                          

The anthropologist, folklorist, and essayist emerged as a creative force during the Harlem Renaissance and advanced to literary stature as an intellectual who was imbued with a unique ability to vividly portray southern life

Historically deemed nomadic and restless with an exuberant personality and penchant for wearing hats, Hurston was born Jan. 7, 1891 and died Jan. 28, 1960.  The festival in her adopted hometown of Eatonville is held each January in her posthumous memory through visual arts, oral history, traditional crafts, film, and, above all – literature.

HATitude a festival tradition
HATitude in BlackWomen wearing brims as wide as their shoulders and pillboxes touting plumes and netted veils convened at the downtown Orlando Crown Plaza for HATitude!

An intimate affair of brunch and haute couture, the tradition is known as the festival’s hottest ticket in town and allows women ages 21 to 54 an opportunity to be “the stars” for an advance price of $50 and $55 at the door. Rhythmic to attitude, HATitude is celebratory of Hurston’s colorful existence and Renaissance flair for finishing outfits with a hat.

Marjorie Phillips chose a standard black felt hat that was complementary to her petite frame and didn’t make as much noise as the more contemporary and flamboyant chapeaus at her table.HATitude Brunch #1

“I am not really a hat lover at all, “said Phillips. “I’ve heard so many great things about the brunch, but the most important thing I was told was you can’t get in without wearing a hat. For a few hours, I can learn to love a hat.”

Art in Eatonville
Master Artist Charles Bibbs is renowned for his innate ability to bring the nuance of African-American culture to life through his visual artistry. The southern California native currently resides in Riverside and began his career as a street artist who worked as a supervisor for Boeing aircraft.

“I left aviation and became a full-time artist in 1993,” offered Bibbs. “African-American people created a market for African-American art and I was in the right place at the right time.”

Bibbs cannot boast any formal training, but has a degree in business with a minor in Art. From California streets to Eatonville’s Kennedy Boulevard, the spectacled genius joined colleagues on fine arts lane where he welcomed a continual host of fans and emerging artists eager to meet the man who masters both his people and color.Charles Bibbs Master Artist in Residence

“I’m a mixed media artist, mainly acrylic and ink,” explained Bibbs. “I’m a believer that you paint by what you know and what you experience and that’s what I’ve done over the years and I’ve been successful at it…the important thing that I preach is that we need to breed collectors. And they need a starting point.

They need to be able to buy a poster and a print and as they move on, they will be able to understand what they are buying through education.”

According to Bibbs, art is based upon affordability and he belongs to a community of artists who seek to merge the efforts of a mainstream and elite audience to advance the art form and opportunities for all. When asked the advice he would give potential artists, Bibbs imparts, “Approach it like a business and not something so special you can’t part with.”

From tofu to turkey
Everybody screamed for the fresh churned, homemade ice cream and additional sugary delights during the popular “Outdoor Festival of the Arts.” Amidst children performing on the steps of Macedonia Missionary Baptist Church, street peddlers pushed red wagons filled with candy apples down Kennedy Boulevard while vendors prodded visitors into rows of white tents.Family eating ice cream

For a fixed or bargained price, attendees could purchase everything from pure African shea butter to T-shirts from President Barack Obama’s inauguration. In the biggest tent, adjacent to preferred soul food and fried fish that has watered festival palettes for years, Celebrity Chef Marvin Woods led a one-man campaign to help African-Americans prevent the prevalent diseases that affect our race: diabetes, high blood pressure, and cholesterol. Behind a colorful set of fresh fruit, exotic spices and natural grain ingredients, Woods simultaneously lectured and demonstrated a healthy recipe using either tofu or turkey for chili.130208_metro01c

“I’m giving you a recipe that is easy and nutritious,” said Woods. “African-Americans are used to smoked meats that are not really naturally smoked, but rather injected with smoke flavors. That’s sodium and creates a high salt intake and leads to diseases that can shorten lives.”

Woods suggested smoked paprika for a spice and the grains Quinoa and Farro as white rice alternatives. Upon sampling the final product, many guests were shocked at their affinity to adapt to the recipe. “I eat any and everything, but I do it in moderation,” explained Woods. “People need to learn the concept of eat more weigh less: 64 ounces of water, five meals a day, and some form of exercise.”

Bridging the Black male gap
Consistent with the festival’s theme, innovative artists represented projects created to give voice to the role of communities in the preservation of heritage.

Houston activist and artist Rick Lowe, founder of Project Row Houses joined Hank Willis Thomas for an opening reception and gallery talk on the cutting edge transmedia art project titled Question Bridge: Black Males.Panel on black male issues at Question Bridge gallery talk

The brainchild of innovators Thomas and Chris Johnson, the two collaborated with Bayete Ross Smith and Kamal Sinclair to document provocative dialogue that stemmed from a five-channel video installation representing more than 150 Black men in 12 U.S. cities. Considered more of a “megalogue,” the stream-of -consciousness inquiries run the gamut of family, love, sexuality, community, education, and the most prevalent dilemma for today’s black men: violence.

A predominantly female audience attended an evening community engagement and panel discussion on Feb. 1 in the Eatonville Library following a walk-through tour in the Zora Neale Hurston National Museum of Fine Arts on Kennedy Boulevard.

“The project is not just about Black males, it’s about people and how people react when put in a group, and how they react within that group,” explained Thomas.

Featured males posed questions like the poignant, “What is common to us as Black males?” A male responds: “Our commonality is in our history. Our beauty is who we are as Black people.” That respondent then poses his own question and the cyclic inquiry continues.

Captured responses ranged from the candid, “What’s so cool about selling crack?” to an incarcerated Black male in the San Diego prison being asked, “Are you ready for freedom?”  A continued “Talk Back” session was held Saturday afternoon during “Family Day.”

Sustaining ZORA!
N.Y. Nathiri Director of Multidisciplinary Programs outcry for philanthropy to save ZORA“We need a little bit of money from a whole lot of people,” pleaded N.Y. Nathiri, director of Multidisciplinary Programs and Chair of the ZORA! Festival National Planners. The committee dedicated a full page in the festival guide outlining their appeal to “those who value ZORA! Festival. The following is explicitly outlined as follows:

“For the first since the P.E.C. began competing for tourist development tax grant dollars (2002), ZORA! Festival 2013 was not recommended for funding. However, on October 16 (2012), in a first-ever, one-time exception, Orange County Mayor Teresa Jacobs and the Orange County Board of County Commissioners, in a 6-1 vote, allocated the $150.000, $1-for-$1 cash match grant to P.E.C. as long as our organization was able to meet certain stipulations…one of those stipulations was to make a report on April 2013 which addresses how well our organization has been able to expand its funding base; and to demonstrate a “broad public endorsement” of ZORA! Festival by documenting the individual financial investments we receive during “the festival cycle,” i.e. November 1, 2012 – April 30, 2013.”

Their first effort to address the aforementioned was to charge admission. Attendees ages 17 and younger were admitted free. Those older were asked to give a cash donation. The future of ZORA! Festival and Hurston’s cultural legacy rests in the contributions left in envelopes provided by the community. Next year the festival will celebrate its 25th anniversary.

CooperMorgan Dance Theatre: At The Gates.

Link to Florida Times-Union (Sun Community)

http://jacksonville.com/entertainment/arts/2011-06-24/story/cooper-morgan-dance-theatre-stages-phenomenal-performance

Creative duo Dewitt Cooper III and Savery Morgan
blessed Jacksonville with a phenomenal, ensemble dance performance on Sunday, June 19, 2011 at  one of downtown’s new, eclectic venues at 111 E. Bay Street.  The second story conclave of brick walls complemented by visual art from local artists was transformed into a riveting temple of lyricism and power before a packed house that confirmed the First Coast has both a genuine thirst for performing arts and a talent base that delivers.

 At The Gates celebrated expressive and limitless human form from lines and balance to aerial awe that defied gravity. Through eight original works, 20th century concert dance progressively traveled with triumph and strength as a multicultural ensemble modeled the freedom and fluidity made famous by Martha Graham to the West Indian influences of Katherine Dunham’s polyrhythmic fusion of continual movement.  Also present were the techniques of Lester Horton, Jose Limon, and Merce Cunningham.

Grounded in groove and contemporary in approach, Gates was inspired by the positive transition Cooper and company members are currently experiencing.

“We wanted to set a piece that represented moving through life and being at the threshold of change, “ offered Cooper.  The monumental work marks the fifth season the energetic pair has offered a mainstage concert in conjunction with their            summer dance intensive held at The Performers Academy (Beach Blvd) under the direction of Kezia Hendrix-Rolle. Forty students – ages 8 to 23 – were placed into two, separate levels and trained from 9:00 a.m. to 5:00 p.m. over three weeks in the rudiments of French and Russian ballet, modern and repertory classes in preparation for a July 1st performance at LaVilla School of the Arts (Admission: $5.00).

Twelve year-old Kaila Justice is a summer scholarship student who has a promising modeling career, but continued to hone her dance technique at the intensive. “I really feel that Mr. Savery challenges me during ballet class and it makes me want to be better and work harder, “ said Justice.

The precocious beauty looks forward to her upcoming performance, but admittedly hates stretching and conditioning class and defers on the turkey sandwiches  they occasionally served for lunch. Preferred by Justice are chicken nuggets accompanied by milk and fruit, plus an afternoon snack.

“Kaila is one of those kids who proved me wrong,” said Morgan. “She has grown by leaps and bounds this summer and is by the far our most improved student.”

Most summer intensive students were present when Gates opened with Thank you Mr. Fagan, a choreographic tribute to Cooper’s mentor Garth Fagan (Lion King). Set to music by Portico Quartet, long, linear limbs merged with playful palms, fists, and the fun flexing of feet, as diverse duos emphasized how art and relationship coexist: often lateral, quickly moving and leaping, but never standing still.  

Alvarez featured Morgan bare-chest and denim jeans clad paired with recent Douglas Anderson School of the Arts (DASOTA) graduate Hillary Bodin in a sensual Pas De Deux performed en Pointe. The duet’s performance challenged the rigid constraints of classical ballet and served as a calm segue to guest choreographer Kavin Grant’s  impressive Testimony. The spirited work served as its own testament to how six men in black, neck ties, and two women give volume and voice to innovative staging, spatiality, and angles.

New World Miami graduate Julie Williams choreographed a moving rendition thematic of Ragtime the Musical. Pride featured Cooper in a interpretive, theatrical solo followed by LASOTA Dance Chair, Michelle Ottley-Fisher’s emotive Pedersi set to new music by R&B legend, Prince. Fisher’s three couples included former Jaguars “Roar” cheerleader, Dawn  Schlosser partnered with talented newcomer Samuel Hills who journeyed a complex story of how love and not so love figuratively rises above highs and low and dominance and yield. The parallelism was aptly portrayed with passion, agility, and intense floor work.

Prior to a 10-minute intermission, honors were bestowed upon Kezia S. Rolle for the support she  consistently provides her former students. “What a stimulating performance! Cooper Morgan supplies Jacksonville with a home for professional level dancers. We have needed a company of this caliber of a long time. It’s about time,” said Rolle. “I am proud to watch the JCA influence and remember training 80% of the company as beginners. It’s so interesting to watch the dancers perform and showcase their technique and level of expertise. I am truly a proud momma and wish the company longevity and success,” she added.

Also honored for artistic mentoring was JCA instructor and former Martha Graham Company Member Suzanne Saltmarsh who offered, “I believe that dance transcends cultural, economic, and religious  beliefs and has the power to communicate on an international level. It can reach students of all ages, and all backgrounds to create a more informed and aware community that strives to benefit from one another.”

JM Family Enterprise was recognized for serving as the sole, Gold level sponsor; however, several  contributors helped the production on a Platinum level including Carol Alexander, Executive Director of the Ritz Theatre and LaVilla Museum, Barlow Orthodontics, Libby Smith, Debra Smith (Atlanta, Ga.), Dale Turner (Los Angeles, California), and the philanthropic generosity of Charles and Luis Schlosser.  Bronze level contributors included Dontecia Seymoure Genny Lis Padilla (New York, NY) and Paul and Tracie Parsons.

Following Tribute, a female quartet by Julie Williams, Gabriel’s Army took stage and was the evening’s most fully-realized work as a collaborative effort of Morgan and DASOTA alumnae David Freeland, both of whom also performed.

Gabriel earned an audience ovation for the weightless calisthenics of eight, war-ready men dressed in silhouettes of sheer white pants and leotards. With command, Wesley McIntryre (University of North Carolina School of the Arts) and Joshua Abbott (Jacksonville University) captivated the stage with larger than life extended leaps, flashing infra-red lighting, and storied precision, while Freeland’s vigor, strength, and keen sense of musicality proved why he was sought by the SUNY Purchase dance department and is destined for  professional success.

The evening closed with the dynamic, signature finale At The Gates which was performed in six movements and set to original music by Ohio composer Alex Cooke. Thematic to CooperMorgan’s goal to unravel the conflict that transition brings, the stark contrast of night and day was conveyed through absolute costuming in black or  white. The measured contributions of featured luminaries Kelsey Dickerson (Jacksonville University) and Michael Supado Brown helped temper and pace the anchoring movements: Prologue and Redemption. Dressed in white, the two earlier partnered in Ottley-Fisher’s Perdersi.

Julie Williams performed breathlessly in the fourth movement, At The Gates: for better, for worse.  Dunham technique was prevalent as West African dance influences helped simulate artistic battle to define conflict versus resolution and the constricted movement that precedes transition’s emotional escape. DASOTA students Carmen Cage and Ashlee Williams more than held their own as the company’s youngest performers along with the refreshing breakout performances by Tyveze Littlejohn and Akeem Edwards, both of whom are new to CooperMorgan.

David Freeland – SUNY Purchase

New heights are inevitable for CooperMorgan as they each transition to new artistic ventures. Cooper will soon perform on Norweigian Cruise Lines following the April close of his run on Broadway’s national tour of In The Heights. Currently, he performs in Walt Disney World’s Finding Nemo, and is a trailblazer who is the first African American male to graduate from the Musical Theatre Program at Florida State University and also the first male of his race to earn a MFA in Contemporary Dance from Case Western Reserve University. Morgan’s path includes training and performing with Florida Ballet, Dance Theatre Harlem, Greensboro Ballet, and Atlanta Ballet, and he is enjoying his sixth season as a company member of Atlanta’s Ballethnic. Each are a symbol of artistic pride, both have impressive performance resumes, and collectively they are examples of how focus and discipline keep CooperMorgan Dance Theatre on the threshold of success.


Photo Credits:   Dewitt Cooper III – Amy Barnard (Los Angeles)

Savery Morgan – Mr. King

Kaila Justice – Blue Francois (Blue Franswa FotograFia)

Suzanne Saltmarsh – Doug Eng

All performance photos: Mike Erdeyli

###

Penny Dickerson 2011


Why It’s Hard To Date A Black Woman

Top Ten Reasons Why It’s Hard To Date A Black Woman by Matthew Lynch (Black State.com http://blackstate.com/dateblackwomen2.html)

  1. Black women make black men feel under appreciated, unwarranted and irresponsible and   regressive.
  2. Black women are too aggressive and no longer patient in waiting on the pursuit of a man.
  3. Black women are strong headed, too independent which presents great challenges in relationships.
  4.  Black women are masculine in that they are controlling and like to run the relationship.
  5. Black women expect too much. They are gold diggers who will not look twice at a blue collar black man.
  6.  Black women are hot headed and have bad attitudes.
  7. Black women stop caring about their appearance after a certain age.
  8. Black women are not as sexually open as other races, especially in regards to oral sex.
  9. Black women’s tolerance is far too low; they are no longer empathetic to the black man’s struggle in white America.
  10.  Black women do not cater to their men.

What’s troubling about this list is its title: Top Ten? Does that mean this disgruntled man is holding out on reasons 11 to 20?

I’m not certain who this author, Matthew Lynch, really is, but I have one question for him:

“How long have you been an insecure, emotionally irresponsible, non-condom wearing, excuse-prone plumber who lives with his mother and is further on the down low?”

Black women could easily compile a comparable, defamatory list, but we’re too busy writing our top ten life goals, so we don’t have time for such foolishness and blaming. Matthew Lynch has alot of time for such, and I’m sure growing up with the last name “Lynch” has everything to do with his posture.

My initial approach was to defend the “Lynch List” line by line: precept by precept, but then I thought about it (because I’m a black woman who thinks). Upon conclusion, my mind conjured the following which I’m sure will inspire shock and appall.

The Top Ten Reasons Why It’s Hard To Date A Black Man by Penny Dickerson

1, Black men don’t know how to date. They lack imagination, innovation, discretionary funds, a sense of adventure, and their expectations for an initial date far exceed the mental and intelligence investment offered.

2. Black men take responsibility for nothing in their lives. Black women, The Man, their 3rd grade teacher, the lady at the bank, their ex-wife, ex-girlfriend, ex-cellmate, baby’s mama, and the weather are responsible for everything wrong with their lives.

3. Black men don’t really want a black woman to love; they want their mother.

4. Black men don’t wear their wedding rings, lie about their relationship status, hype their employment and life goals, and don’t reveal their real number of children. (A man who denies his child will deny me, PLUS, men who deny their children suck).

5. Black men expect a woman to have pride in her appearance through the years, but give zero consideration to their own beer belly, poorly manicured nails, they neglect oral hygiene, but I’ll give them this: a black man will always have a fresh hair cut.

6. Black men have a poor sense of time, a poor sense of timing, and think their monetary worth is all black women are concerned with. (This black woman desires honesty, a strong sense of self, a sense of humor, and needs you to own a working watch).

7. Black men think sex, oral or otherwise, is the answer to everything. Sexual responsibility and knowledge of STD and HIV transmission has eluded the black man for far too long. Intimacy transcends sexual encounters.

8. Black men forget that without black women, there would be no black men. Black women are more often than not left as single parents without financial or emotional support from black men, and the pressure of single parenting inspires a critical sense of independence, strength, and mad, crazy ambition that threatens black men. Black women are the creatures you created. (Big ups to my daughter’s father who never missed a child support payment and continues to carry her on his health insurance).

9. Black men think white women are the standard. In our natural state, you say you are attracted to black women, yet you gaze and pursue white woman for their long hair allure, submissive demeanor, and tolerance level (note: tolerance and patience are not synonymous).

10. Black men are struggling with their identities in record numbers which has created a global pool of homosexual, bi-sexual, and Down Low men.

11. I know I said ten, but I must add this: Black men fail to realize how ATTRACTIVE humility is. We want to applaud you and stop listening to you 24-7 brag and boast about yourself and your penis size, but I do admit that black women need to clap more loudly for the little things as well as the big. Last but certainly not least, black women more often than not feel misunderstood and judged right out the gate.

Black women are individuals as are black men.

The REAL reason it’s hard for a black man to date a black women is because black men don’t approach us. We are given a quick glance and then sized up as being like your ex, her best friend, the woman in the movie, the girl who rejected you in college, the last girl who didn’t dance with you at the club or the minimal expectations you exude that morph black women into being the object of negativity you expect.

Dating in the 21st century is a challenge and the older you become, the more intense the challenges. We all have baggage, but is your baggage Louis Vuitton or Samsonite or the Thrift Shop Special with a bent key?  Sometimes we see people traveling and think they are world-class because of the bag they are carrying, but the naked eye can’t tell if that bag is empty or full or stuffed with trash to appear full. Warning: baggage can be deceptive. I’d date a blue collar worker because sometimes the Thrift Shop Special with the bent key may have more substance inside and be easier to carry than the more embellished and ornate Louis Vuitton. What it looks like ain’t always what it is.

I am also not overtly opposed to black men who marry outside their race, nor do I view it as a “betrayal” when a black man dates white women. That does not mean he rejected me and my entire racial gender, it simply means he chose her…and that is his right. My preference is a man who loves and respects me: black or white.

Why then is my black list so loaded? Well, it is experienced-based and the collective offering of many conversations, late night phone talks, lunches, “Girl he lied” moments and brink of divorce soirees with my coveted Sistah circle.

Relationships are just tough: black, white, Jewish, interracial, Baptist, Catholic, or divorced and single. It’s all tough and despite the lists offered by both me and Matthew Lynch, I suggest that each individual comprise a list of what you SEEK in a mate and then pursue that. If your only list is one that emphasizes what you don’t want or have already had, you are mort likely to subconsciously and consistently attract the same type of people.

Dump the lists and give each new person you meet a fresh start, tell ‘em what time it is, and smile. The rest is left to destiny and chance.

Penny Dickerson 2011

 

African American Childhood Obesity: the skinny on fat

This blog is featured in HBCU Lifestyles: http://hbculifestyle.com/contributor-how-you-can-help-african-american-youth-fight-obesity/

Being the fat kid will never be cool.

America is a skinny nation and an ad hoc committee on “acceptable appearance” has deemed that fat ain’t where it’s at and skinny is in. Media influences applaud the weight loss efforts of the rich and famous as their guant faces and emaciated bodies are flaunted on red-carpets. The recent exception was Gabrielle Sedibe whose round features earned her the lead role in the film, “Precious.” Personally, I remember her character’s story, not the actresses weight, but many others don’t share my reflections because  bone-thin is considered socially appropriate, beautiful to some, and the cultural standard that’s adverse to being obese.

For African American children, this prejudicial outlook is a double whammy as they already suffer so many identity ills in their adolescence that fosters bullying, teasing, ostracizing, and low self-esteem. None of the latter are conducive to a population of healthy adults and more important, the affects of obesity in an African American’s childhood is a tremendous threat to physical health and can ultimately lead to morbidity.

Click link to read:   “Obesity, Appearance, and Psychosocial Adaptation in African American Children.”

http://jpepsy.oxfordjournals.org/content/28/7/463.short

Experts refer to childhood obesity as an epidemic, and the dictionary defines epidemic as, “the rapid spread or increase in the occurrence of something, (such as disease.)

“Approximately 22 million children under 5 years of age are overweight across the world. In the United States, the number of overweight children and adolescents has doubled in the last two to three decades…” (source: Childhood Obesity: the Health Issue”  http://www.nature.com/oby/journal/v9/n11s/full/oby2001125a.html

Scholarly articles and scientific research aside, my cultural insights are my best authoritative source. I am an African American woman raised by a woman who can sho ‘nuf cook and I am a parent who can do the same. My family is of southern origin and there are nutrition negatives that are embedded and welcome obesity like a warm pan of corn bread hot out the oven. An African American child may not want to be obese, but nobody says No to hot corn bread or mac n’ cheese swimming in a pool of butter or collards or cakes or cobblers. What’s a potentially obese child to do? Just say no? I don’t think so.

African Americans are also less critical of childhood obesity. A chubby child in our community is considered: “well fed and healthy.” An obese child is given a genetics pass: “Antoine’s mama is big-boned, and so was his grandma.” My grandmother would marvel at the immense baby fat of her great-grands and say, “Oh that’s a fine, fine baby right there.” For the African American, fat may not be where it’s at, but fat (and phat) is historically what’s us.”

African American children grow up with “good food” serving as a central part of family life. I’ve blogged it before, and again digress: on Fridays we fry fish, and on Sunday (after church) we all-day soul food indulge, and it’s customary and expected to follow it all by doing what? Sleep. Can the church say EXERCISE? Amen ~

The obese African American child is a product of his/her environment and cultural environments are a direct result of historical experience. Slaves were given the hog’s leavin’ and days off from “the field” were enjoyed by gathering for a meal. Once freed, African American slaves were initially granted 40 acres and a mule, but as a people we continue to statistically enslave ourselves. We lead the unemployed and poverty populous, receive welfare and food stamp assistance in high numbers, and have more difficulty maintaining healthy family structures which leaves more African American children as latch key statistics. Childhood obesity is cyclic and epidemics are generally birthed by an inability to break or control cycles.

From “The HillTop”  The Student Voice of Howard University

“African American girls lead the country in childhood obesity”

http://www.thehilltoponline.com/african-american-girls-lead-the-country-in-childhood-obesity-1.1727781

Multicolored, nutritious meals may appear reserved for television families for African American children, and an after school snack is often whatever is served during extended day and/or tutoring programs. Mother is rarely waiting at home in a apron baking hot cookies or preparing peanut butter and jelly on wheat served with a side of celery sticks and a box of raisins. Junk food is often the only time-friendly food for a single parent, and let’s face it, we live in a society that commercially ropes our children in for the kill. Childhood obesity may potentially lead to disease and mortality, but television media gives each African American child a Prime Time pistol and a round of  :30 second commercial bullets.

In defense of the African American obese child, I understand they have become an epidemic’s target, but encourage the public to realize how difficult it is for an obese child (or anyone) to win a statistical race when they don’t leave the starting block with the same training or at the same time as their racial counterparts. African American children, despite the education and financial demographics of their parents, simply grow-up different and are indoctrinated with a unique set of social constructs, the least of which is food and nutrition. In support of health care professionals nationwide, they are correct. A future population of African American adults is at risk of being plagued by preventable diseases like diabetes, high blood pressure, and heart disease due to the epidemic of childhood obesity.

The good news (and thank you for taking the hype-hike with me) is that good nutrition can be taught, learned, and culturally embraced. Illness, specifically cancer, inspired me to change my diet and cooking patterns, and I was just lucky to raise a ballet dancing daughter whose metabolism welcomed the word, “thin.”

Be not deceived. In her youth, my daughter ate more Ramen noodles, pop tarts, and sugar-coated cereal than the law allows (I now bow my head in maternal shame.) The favorite breakfast I still prepare for her includes salmon croquettes and homemade biscuits. The former is fried in vegetable oil, and the latter is mixed, kneaded, and baked with Crisco shortening and mellowed with Land O’ Lakes butter. My African American child has plenty of good reasons to be obese, but I am thankful she is not.

The fight against childhood obesity in the African American family starts at home. My collard greens are now cooked sans smoked meat, but rather stir fried in olive oil, garlic, and jalapenos and then reduced with broth and balsamic vinegar. My daughter begs me to prepare greens as a side and additionally loves steamed asparagus and black bean salsa. Who knew? A child’s palette can be reversed and trained and cornbread can be delicious using wheat-based flour or meal.

School lunch brought from home stopped being cool when the Fat Albert lunch box became distinct, but there remains some rather “Hip” replacements as observed by my Walmart snooping eyes. I invite you to consider the following in helping ward off childhood obesity:

  1.  Encourage your child to be physically active.
  2. Discuss preparing and packing lunch this school year.
  3. Survey nutritious, after school snacks.
  4. Allow your children to compose the grocery shopping list.
  5. Extend meal preparation to include the entire family and use RECIPES. This not only advances literacy, but also educates, promotes family interaction, and fosters fun.

African American children faced with obesity are not the new bulls-eye waiting to be universally struck by statistical arrows. They don’t deserve it. Obese children are simply a faction of a family and an integral part of every community whose emotional needs must be identified and addressed.

The next time you see a politically incorrect “fat kid,” don’t concentrate on their obvious obesity. instead, give them a high-five and compliment them on what a great smile they have or the glean in their eye. At the end of the day, acceptable appearance is in the eye of the beholder. We are all a “healthy work in progress!”

Alpha Kappa Alpha Sorority, Incorporated: Celebrating 70 Years of Timeless Service

Alpha Kappa Alpha Sorority, Incorporated

Gamma Rho Omega Chapter, Inc.

Platinum and Pearls:   Celebrating 70 Years of Timeless Serves

The Gamma Rho Omega Chapter of Alpha Kappa Alpha Sorority, Incorporated celebrated seven decades of contributions to the Jacksonville community on Saturday, August 25, 2012 at the Hyatt Regency on East Coastline Drive. More than 300 sorority members and guests gathered for a festive afternoon appropriately themed,

“Platinum and Pearls: Celebrating 70 years of Timeless Service.”

The venue’s “Terrace Room” was beautifully transformed into an opulent setting overlooking the St. John’s River where centerpieces topped with ivory roses and hints of platinum décor set the tone for a decadent lunch served “in the round” complemented by light jazz provided by Flautist Linda Witsell. A “Sisterhood Night” held Friday evening prior to the luncheon served as an informal kick-off to commemorate the chapter’s advancement of their organization’s broad, global mission:

To cultivate and encourage high scholastic and ethical standards, promote unity and friendship among college women, to study and help alleviate problems concerning girls and women in order to improve their social stature, maintain a progressive interest in college life, and to be of  “Service to all mankind.”

Sorority members, internally referred to as “sorors,” complemented the spacious interior by donning an array of fashionable attire  in shades of their official colors: salmon pink and apple green. Chapter members of Gamma Rho Omega, Inc. (GRO) distinguished themselves with pink, floral “Fascinators” consistent with the Queen of England’s year of Jubilee; some members opted to wear tiaras that symbolized multiple years of service.

Most proud was Gamma Rho Omega, Incorporated Chapter President Ms.Mary L. Brown. The retired Duval County School Board Educator and Administrator led the afternoon’s program in the company of her sisterly leadership seated at the dais:

Juliann M. Blackmon (70th Anniversary Luncheon Co-Chair); Willetta R. Richie (GRO Vice-President); Mrs. Prudence Williams (Chaplain); Ms. Mary L. Brown Chapter President); Dr. Norma Solomon White (25th International President & 70th Anniversary Luncheon Chair) and Mrs. Brenda R. Simmons-Hutchins, PhD (70th Anniversary Program Chair).

“We are blessed to have the foresight and wisdom of ten charter members and to have this opportunity to celebrate, reflect on our past and visioning for our future. Without their foresight and strong shoulders, we would not be the chapter we are today,” stated Brown. She further expressed her gratefulness for the presence of both members and guests and thanked them for all of the accomplishments of Gamma Rho Omega. Her greetings closed with:

“I am grateful for our presence and support in all of the accomplishments of Gamma Rho Omega and am eagerly looking forward to your continued support of the chapter’s programs and projects that will have an ongoing positive impact in the Jacksonville community. I am requesting now, that you please relax and enjoy the “Anniversary Celebration.”

Florida’s Lt. Governor Jennifer Carroll is also a sorority member and prepared a well-crafted salutation to acknowledge her pride in the impressive strides GRO has made in their varied community pursuits. Kappa Alpha Psi, Inc. fraternity member and Jacksonville Mayor Alvin Brown extended warm congratulations to the organization in a written endorsement:

“As a Greek, I understand the importance of fraternal bonds and the impact Greek organizations can have on individuals throughout the nation,” said Brown.

“The values our organizations instill in members benefit society as well as our brothers and sisters, and I commend you for staying true to your sorority’s lifelong bonds while providing critical resources for alumnae and undergraduates in the Jacksonville area.”

Dr. Norma Solomon White, (Doctor of Humane Letters) holds the prestigious honor of being the only GRO chapter member who has also served as South Atlantic Regional Director, the first International President (Supreme Basileus) from the state of Florida, and the First Legacy International President in the history of the sorority.

White also holds the extended distinction of being part of  “Three Generations of Legacy.” She is Supreme Daughter to Ruth C. Solomon, the oldest living former GRO chapter president and an event Honorary Chair, and Supreme Grandmother to Soror Danielle Lamyse White (Gamma Theta, Hampton University 2007).

Referring to the sorority’s founders as “precious jewels,” White stated that GRO had “exceeded their expectations and that leaders and members of the chapter are to be applauded and highly recognized for supporting education, promoting leadership development, establishing, the “Emerging Young Leaders” Signature Program, addressing health issues, spotlighting the arts, awarding scholarships to deserving young ladies, focusing on social justice and human rights, economic security & global poverty, and collaborating with other organizations to make a difference in this community and the world.”

“The primary purpose of today’s occasion is to focus on awareness and let the community know that funds raised will benefit scholarships and various programs that the sorority has prided itself in offering,” said White. “This (GRO) anniversary celebration is very important to me because over 50 years, I’ve seen so much growth. We could have maintained membership at 75 which was manageable to hold meetings in our sorority house, but we’ve now expanded to more than 240  members. When I became the organization’s 25th Supreme Basileus, GRO also became a Supreme Chapter and I appreciate and remember all the support they offered. I will always stay involved to help those who need me,” she added.

White’s inspirational words were echoed by the program book endorsements of the organization’s Supreme Basileus, Carolyn House Stewart, Esquire (pictured right) and South Atlantic Regional Director, Marsha Lewis Brown.

Alpha Kappa Alpha Sorority, Incorporated (AKA) is an international service organization  founded January 15, 1908 on the campus of Howard University in Washington, D.C.  It is the oldest Greek-lettered organization established by African-American college-educated women with membership that exceeds 260,000 in both graduate and undergraduate chapters in the United States, the U. S. Virgin Islands, the Caribbean, Canada, Japan, Germany, Korea and on the continent of Africa. The hallmark of the organization’s growth and overwhelming ability to advance its mission for more than 100 years is the distinguished women who serve as leaders, boast excellent academic records, proven leadership skills, and are involved in the global community through advocacy and service. Alpha Kappa Alpha Sorority, Inc. has dedicated itself to improving the quality of life for citizens worldwide and promoting peace.

The abiding foundation of the organization’s overwhelming ability to successfully fulfill its mission for more than 100 years is the efforts of hundreds of incorporated chapters in the Continental United States and abroad that provide financial and programmatic support.

Among the best is the Gamma Rho Omega, Incorporated chapter which was chartered in Jacksonville, Florida on June 23, 1942 by ten college-educated, enterprising, dedicated and civic-minded young women who were Alpha Kappa Alpha members on various college campuses. Also present at the 70th Anniversary luncheon was Louis Gardner (Sheffield), the chapter’s sole surviving charter member (of the original ten); she also served as an Honorary Chair.

With the transfer of additional members, the chapter grew to 17 and further expanded following the first initiation in 1945 which also marked the first annual Gamma Rho Omega, Inc. began giving scholarships.

In the impressive span of 70 years, more than $650,000 in funding has been awarded to deserving young women who aspire to pursue higher education as scholastic achievement.

Providing the means for its success remains an integral part of the chapter’s program and fundraising efforts, and according to Scholarship Committee Chair Lois Prime (pictured below), the chapter awarded more than $25,000 in financial awards in the 2011-2012 fiscal year.

With the assistance of committee members, Prime  follows a measurable set of eligibility criteria which includes being a female student currently enrolled in a Duval County public school with a Grade Point Average (GPA) of 3.0.  Financial need, an essay submission, community service and extracurricular activities are also assessed.

In addition, Gamma Rho Omega, Inc. awards scholarships to female students attending Jacksonville’s college and universities with established AKA Chapters. They include: Edward Waters College (Nu Iota); Jacksonville University (Omicron Delta); and The University of North Florida (Mu Theta).

The acknowledgement and award of scholastic achievement is paramount to Gamma Rho Omega, Inc. investing in a generation of women who are destined to set the same standard of excellence and distinction as the multitude of local community leaders that proudly call themselves members of Alpha Kappa Alpha, Sorority, Incorporated.

Jacksonville members of  Gamma Rho Omega, Incorporated represent an impressive cross-section of professionals who excel in every field of endeavor including politics, education, business, theology, and the arts.Pictured above is Joyce Morgan-Danford, former anchor for CBS affiliate WJXT Channel 4 and Kimberly McKissick (below), First Lady of Bethel Baptist Institutional Church, Senior Sales Director for Mary Kay Cosmetics, and Founder of NJoy Ministries.

Consistent with the organization’s legacy of being “first,” the local chapter touts a litany of historical achievements worthy of applause.

A Proclamation scroll bearing the sorority crest and original signatures of President and 25th International Presidents, Ms. Mary L. Brown and Dr. Norma Solomon White respectfully, were placed in the seat of each attendee at the 70th Anniversary luncheon and chronologically listed many of  the local chapter’s crowning achievements.

Highlights include breaking racial barriers by presenting operatic legend Marian Anderson before an integrated audience in 1952 to the more ambitious purchase of its first sorority house in 1965. The current sorority house, located at 1011 West 8th Street in Jacksonville, Florida, was purchased in 1976 and currently has no mortgage liability.

More than 450 young women have participated in the Debutante Coterie established in 1981 and one of the most significant transitions the local chapter will experience takes place this winter as Gamma Rho Omega, Inc. establishes “The Chocolate Nutcracker” as its signature fundraising event to replace the now defunct Ebony Fashion Fair.  From 1958 to 2009, Gamma Rho Omega, Inc. sponsored the iconic fashion show which was introduced to the chapter by Mrs. Estelle McKissick. “The Chocolate Nutcracker” is a multicultural production patented by LaVerne Reed Productions and has experienced national success in other major cities including Atlanta, Miami, Orlando, and Tampa.

Program Chair Johnnetta Moore has solicited the artistic expertise of Jacksonville Centre of the Arts Executive Director, Kezia Hendrix-Rolle to both produce, cast, and choreograph. Moore  distributed “Save the Date” placards and magnets at the luncheon’s place settings and eloquently addressed the audience with an encouragement to attend.

Two performances will be held on December 29, 2012 event for a 2:00 p.m. matinee performance or 7:30 p.m. evening performance at the Times-Union Performing Arts Center.

Ticket prices range from $20 to $60, and all proceeds support awarding scholarships to Duval County students and other chapter community projects.

If the legacy of being “first” sets a precedence for the AKA tradition, originality is an apt suit to follow. According to 70th Anniversary Chair Dr. Brenda Simmons-Hutchins (pictured below),

“The luncheon program committee was given a charge to come up with something different to commemorate our decades of  service,” said Simmons-Hutchins.

A decision was made to forgo the traditional keynote speaker and do something really special!”

Juliann M. Blackmon, 70th Anniversary Luncheon Chair, stepped to the plate and wrote an original skit that mimicked a mock courtroom trial complete with Blackmon herself serving as the “Sagacious Judge” clothed in a color-block, pink & green robe accompanied by a pink gavel. Appropriately, Court Docket # 0070 represented the anniversary’s theme while the plaintiffs and defendants were Alpha Kappa Alpha Sorority, Inc. & Gamma Rho Omega Chapter, Inc. vs. Jacksonville, Florida Community-at-Large (played by Benny Moore).

“The Trial of the Century” sought to determine if the organization and affiliated local chapter was accused of outstanding and continuous “service to all mankind,” would there be enough evidence to convict them?  Presided over by Simmons-Hutchins, a dramatic outplay ensued and was riddled with both humor and historical fact.

Sorority members served as narrator, witnesses, bailiff, clerks, jurors, with integrated artistic performances in song and dance by Vocalist Karen Hodge (Divine Litigant), Dancer Adrianne Ansley (Executioner/Witness), and the “ The Compassionate Response” in song by Douglas Anderson School of the Arts student, Benjamin Coy Simmons, III, grandson of Simmons-Hutchins. “The Grateful Adjournment” was offered by The Gamma Rho Omega Chorus under the Direction of Mrs. Barbara McNealy Bouie.

Guilty as Charged, the Gamma Rho Omega Chapter, Inc. of Alpha Kappa Alpha Sorority, Incorporated has accumulated more than enough evidence to convict them of a lifetime sentence of both

“Service to all Mankind” & “Global Leadership through Timeless Service.”

Whether donating funds to the Martin L. King, Jr. memorial (2000) or the most recent implementation of the Emerging Young Leaders Program for middle school girls (2010), the Jacksonville chapter continues to soar with consistency and surpass previous heights. As the celebration winded down,  members fellow-shipped and embraced a new-found energy that inspired them to move forward.  In closing, Dr. Norma Solomon White poignantly stated:

“The best is yet to come!

Penny Dickerson 2012

State Representative Mia Jones: “Destined to Serve.”

Link to Florida Courier Profile

http://flcourier.com/2012/05/10/destined-to-serve/

It was a pleasure interviewing State Representative Mia Jones who proves to be as dedicated, efficient, and down-to-earn as my words depict.

Politicians often get such a bad rap, but I can honestly say I’ve never heard a negative word spoken about Mia Jones, but then again, I try and keep “Dream Killers” out of my ears.

This interview took place in February of 2011 as part of an ongoing series of profiles on African American politicians in the state of Florida and she joins the company of “Profiles by Penny” on Congresswoman Corinne Brown and former Senator Tony Hill.

Actually, all of the interviews took place in February, including the soon to be printed profile on State Representative Reggie Fullwood; however, they’ve made it to print in strategic rotation with their government counterparts from other districts in the state.

Of course since that time, both Mia Jones and Tony Hill have been given special roles in the Administration of Jacksonville’s first black Mayor, Alvin Brown.

Thank you Mia for such a lengthy and honest view and your wilingness to allow your constituents to simply “get to know a different side of you.”

Enjoy a prosperous year and continue to make positive legislative strides for a community who graciously appreciates all that you do.

Penny Dickerson 2011

Part III – The Life & Death of Jimmy Jackson

florida courier

‘I ain’t gon’ kill nobody’

SAMSUNG

February 14, 2013 Filed under METRO

Immediate and extended family members of Jimmy Jackson pose at the repast after his funeral in June 2012. His family rallied to his side during a 10-day hospital vigil in Jacksonville. (CHARLES W. CHERRY II / FLORIDA COURIER)

Immediate and extended family members of Jimmy Jackson pose at the repast after his funeral in June 2012. His family rallied to his side during a 10-day hospital vigil in Jacksonville. (CHARLES W. CHERRY II / FLORIDA COURIER)

Editor’s note:  This is the third in a series of stories framing the life of James Roland Jackson, III, known as “Jimmy” to his family.

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BY PENNY DICKERSON SPECIAL TO THE FLORIDA COURIER

Jimmy Jackson didn’t live to become a middle-aged man, much less reach the so-called “golden years” of post-retirement.

He will never relive memories of a prosperous and exciting entrepreneurial career, of his daughter graduating from high school and college, of walking her down a church aisle as a proud father of the bride.

When asked where her daddy is, five-year-old Denia Jackson points to the sky. She now believes bullets send daddies to heaven.

Wouldn’t carry a gun In a crime investigators are calling a random robbery, eyewitnesses claim two Black males approached Jimmy at the Silver Fox nightclub in Jacksonville at approximately 4 a.m. on June 2, 2012.

The club was packed. The parking lot was full of cars that were parked in rows in pitch darkness.

Jimmy was unarmed when the killers pumped four bullets into his 6-foot, 1-inch muscular frame. His body was gushing blood until first responders rushed him to Shands Hospital’s TraumaOne. Eleven days later, he was dead. The crime, originally listed as aggravated battery, became a homicide.

Jimmy’s older brother Anthony Rozier encouraged Jimmy to carry a firearm for protection while working for his own artist representation company called “Exclusive J” and as road manager for rap artist Young Cash.

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Jimmy refused.  He made a conscious decision not to own a gun. According to Rozier, Jimmy’s response was, “I don’t need no gun ‘cause I ain’t gon’ kill nobody.”

Family dispatched After the shooting, family members were immediately in contact. Rozier arrived from nearby Mount Dora after receiving a call from his sister Brandi, a Jacksonville resident. The pair informed others with promising reports of Jimmy being “stable.”

Jimmy’s father, James Roland Jackson, Jr., known as “Big Jimmy,” lived a parent’s worst nightmare. He endured a five-hour drive from Atlanta recalling a lifetime of fond memories until he reached his son’s bedside.

Jimmy’s uncle, Jay Carr, got his call within hours of the shooting and had the heartbreaking task of informing Jimmy’s mother, Stephanye Rozier-Jackson.

“I’d always prepared myself to get a phone call like this,“ said Carr.  “Three of my four brothers were in prison before I graduated from high school because they couldn’t stay out of the street life.”

But he never expected to get the call about Jimmy, an honest, hard-working young man with no criminal record and a bright future.

Football, not gymnastics Shante C., the mother of Jimmy’s only child from their previous relationship arrived from Tallahassee. She reflected on their last conversation.

“Jimmy was one for jokes. So when I shared that I was headed to sign our daughter up for gymnastics, his response was ‘What, you mean you don’t want to go sign her up for football?’

“We joked around about that, and he mentioned he had something to send his daughter. He continued trying to talk me into moving to Orlando where there were bigger and better opportunities.”

Jimmy’s immediate and extended family would now unite for a 10-day bedside vigil.

His brother’s keeper Jimmy gave his older brother Anthony a ‘middle-fingered salute’ and smiled when his sibling entered his hospital room. The lewd gesture was comedic communication between the two half-brothers, who were very close.

Anthony Rozier was Jimmy’s “go-to guy” for advice on personal, financial, and even some business decision. The last time he saw Jimmy was three weeks before the shooting. Despite owning a brand new Camaro, Jimmy wanted to borrow Rozier’s 1971 Chevy Chevelle. He liked being ‘old-school.’

“My brother’s first love was music,” reflected Rozier. “He loved animals and kept reptiles and snakes, but was afraid of spiders. He would slide off a roof before he’d face a spider! Nothing in the world mattered if a spider came along.”

No panic It was Rozier who convinced Iowa’s Graceland University to award Jimmy scholarships in football and basketball.

“Jimmy couldn’t really play basketball as a kid, but out of nowhere he just got good,” Rozier explained.

Rozier thought that his brother’s athleticism would help him endure a lengthy hospital stay.

“When I learned my brother had been shot, it really didn’t hit me,” said Rozier. I thought it was once, and in the arm, so I didn’t panic.”

One bullet grazed a rib, one hit his abdomen, a single bullet was lodged in his left buttock, and one punctured his right lung and remained embedded there.

Following days of specialized medical care, Jimmy struggled to recover from his severe lung injury. His strong body weakened, both kidneys shut down, and he was placed on a dialysis machine.

A father’s tough decisions Over days and into a second week, Big Jimmy watched his son’s condition deteriorate. Jimmy was transferred to the most critical area of Shands’ Intensive Care Unit and was on life support.

He had no medical insurance. His health benefits from his AT&T “day job” had not yet kicked in. He remained heavily sedated, but at various intervals was able to communicate by recognizing simple sign language for “peace” and “I love you.”

When surgeons informed Big Jimmy that the dialysis machine was unable to flush his son’s kidneys, he reached out to trusted expertise.

“I sought the advice of one of my Omega Psi Phi Fraternity brothers, Dr. Harry Marshall, a former Iraq War surgeon. It helped, because surgeons at Shands were using complex dialogue and I was conflicted,” said the elder Jackson.

Jimmy was placed on life support. When the family contemplated taking him off, Jackson decided to allow doctors to try aggressive specialized treatment as a last-ditch effort to save Jimmy’s life.

Jimmy’s baseline vitals and his medical condition improved, but family members remained by his side. Rotations included round trips to local and distant homes.

Employment and domestic responsibilities were left unattended. Expenses mounted.

“I hadn’t had a shower in days,” said Jackson. “Prior to a (hospital) shift change, I was assured that Jimmy was once again stable and decided to go back to Atlanta to reconcile my affairs.”

He left Jimmy’s hospital bed in Jacksonville on Tuesday morning, June 13 with a renewed spirit of hope.

The decision haunts him.

‘He’s gone’  Jimmy was in the hands of the Shands Critical Care Unit.  Jimmy’s sister Brandi and his girlfriend Kiara Bailey were both present when his condition worsened with an eerie quickness.

On the 11th day after the shooting, the familiar chain of cellular calls and text message once again ensued. Rozier called Carr, who then sent a text message to Big Jimmy, who was driving.

“I looked at my phone and it read, ‘He’s gone,’” said Jackson. “I immediately turned around and drove back.”

“We all thought Jimmy was gonna pull through,” offered Rozier.

No stranger to death According to her mother, Jimmy’s daughter Denia had already been exposed to several deaths at the young age of four.

“My grandfather passed away the same night Jimmy was shot,” Shante C. explained. “My daughter is a very smart and bright child. Anybody who knows her can tell you she has the soul of someone who has been here before and I didn’t really feel I needed to wait and tell her.

“So I told her the evening I found out. She sat there blank for a few minutes as if she was processing what I told her, and then she broke down in tears and repeated over and over again, “I want my daddy!”

Rozier remained his brother’s keeper until the end.

“The last thing I said to Jimmy was, “They gon’ have to cut your dreadlocks off for surgery.” He looked at me funny and I said, ‘Just kidding.’”

Rozier now had a responsibility he never imagined or wanted – getting things together in preparation for his baby brother’s funeral.

Orlando homegoing For an already emotionally stressed family, the subsequent funeral exasperated them from planning to payment.

Postell’s Mortuary in Apopka was selected. A glitch elevated their grief when the family was informed two days before the Saturday morning service that Jimmy’s life insurance from his AT&T job could not be used for payment. Rozier had less than 48 hours to come up with $10,000 to pay for his brother’s funeral.

“I called any and everybody,” said Rozier. “My grandmother, Mae Smith, gave $2,500 and I got $500 each from several different family members. Rap artist T-Pain also helped. I scrambled and came up with the money in one day.”

Carr, a property supervisor who works for the city of Orlando, was willing to borrow from his pension to bury the nephew he remembers as a gentle and soft giant.

“Everyone was willing to help, but we were restricted by time,” said Carr. The family has applied for bereavement reimbursement from the state attorney’s office in Jacksonville and social service agencies. More than six months later, they haven’t received anything as of this writing.

No arms Jimmy Jackson’s body arrived at Postell’s Mortuary without his arms. He was a bone donor. Both limbs had been sawed off to preserve his bone marrow, which can save the lives of people with diseases like leukemia and breast and ovarian cancer.

Jimmy’s decision to not carry a gun was as principled as his choice to leave behind two strong limbs to save a stranger’s life. A warm humanitarian until his untimely end, it was perhaps his most valiant contribution to society.

The crime against Jimmy Jackson – and his family – remains an unsolved cold case.

Part 4: The Silver Fox nightclub and its violent history.